A 360‑degree reflective canopy and a lush underground garden welcome travellers to the Qasr AlHokm metro station

As one of four main hubs in the new metro system of the Saudi capital, connecting two of the main metro lines, the historic Al-Qiri district station is designed as an open urban and pedestrian plaza with a large stainless-steel canopy that acts as an urban periscope.

Photos: Iwan Baan

The station levels are visually linked through the mirror-like overhang structure reflecting the outside inwards and the inside outward, while also directing natural light into the underground station and providing shade to the surrounding public areas.

Snøhetta developed the winning competition concept for the station in 2012. The 85 station metro system has a ridership capacity up to 3,6 million passengers per day and has been open to the public since January last year.

In addition to making low‑emission transport available to everyone, the new transit network links key districts and helps reduce traffic congestion in the rapidly growing city where approximately 97% of all trips are still made by private cars.

When you come off the train and look up, you see a 360-degree view of the city reflected on the underside of the canopy. So, you get an immediate picture of where you are in the city. Likewise, if you're coming from the city, you look up into the canopy, and it mirrors everything that happens below
Robert Greenwood, Snøhetta Partner and Project Lead

Mirroring the surroundings

The steel canopy serves as the focal point and marks the main entrance to the station. Its shiny outer surface is made from 8 mm double curved stainless-steel panels that are fully welded together and polished to create a smooth, seamless appearance.

The supporting steel spaceframe – a strong, lightweight steel structure with adjustable tie rods for the connection to the stainless skin – allows the canopy to extend above and beyond its base: a massive cone wall. Beneath ground level, the sloping interior walls are finished with a rendered surface inspired by the area's traditional architecture.

Acting as both a unifying architectural element and a point of orientation within the building, the steel canopy also reflects indirect sunlight downward from its mirrorlike surface. PV panels for energy production are mounted on the upper side of the canopy roof.

"When you come off the train and look up, you see a 360-degree view of the city reflected on the underside of the canopy. So, you get an immediate picture of where you are in the city. Likewise, if you're coming from the city, you look up into the canopy, and it mirrors everything that happens below," says Robert Greenwood, Snøhetta Partner and Project Lead.

Glass‑tube platforms opening into the atrium

The two metro lines traverse the open space within transparent tubes, creating a striking visual presence and enhancing wayfinding throughout the station. The platforms are each encapsulated within glazed tubes that protrude into the atrium void space, allowing for a seamless integration between interior and exterior, and opening the platform areas to the grandness of the atrium for both arriving and departing passengers.

For travelers passing through, this striking sight highlights the importance of Riyadh’s historic downtown and symbolizes the connection between the city’s past and its contemporary transformation

Underground, tempered garden

At the base of the atrium, an accessible, tempered garden has been established. The garden can be accessed from the two lines and the transfer level, allowing passengers to relax in a shaded, green space while waiting for their train.

Located at around 35 meters below city level, the garden maintains a temperate environment even during the hot summer periods. Water for irrigation is collected from the paved plaza areas and canopy above.

“The arrival of public transport in Riyadh represents a remarkable step forward. This station is designed as a place for all citizens, regardless of gender or social status, and promotes both environmental and social sustainability. The new plaza and garden further strengthen the public realm, providing valuable shared spaces for the nearby communities,” says Snøhetta's founding partner Kjetil Trædal Thorsen.

A public gateway in Riyadh's historic heart

Situated in the historic heart of Riyadh, close to the original palace and the old adobe buildings of the Al Daho district, the Qasr AlHokm station lies next to an important Eid prayer field, dimensioned to accommodate the movement of many thousands of people gathering and dispersing during the annual event.

The plaza area has a smooth terrazzo surface that extends to the edges of the site, clearly designating it as an open civic realm. This generous public space creates a unified surface dedicated to the public functions of the metro station and a new mosque, which was reconstructed as part of the project to accommodate significant changes to the site’s structural layout.

The illuminated drainage channels aligned with Makkah allows the space to function as an outdoor extension of the mosque.

The arrival of public transport in Riyadh represents a remarkable step forward. This station is designed as a place for all citizens, regardless of gender or social status, and promotes both environmental and social sustainability. The new plaza and garden further strengthen the public realm, providing valuable shared spaces for the nearby communities
Kjetil Trædal Thorsen, Snøhetta's founding partner

Merging tradition and new media art

With respect for the station’s historic setting, the inner atrium walls are adorned with a windowcut pattern inspired by traditional Najdi motifs, echoing the architectural character of the surrounding neighborhoods. Designed to create subtle glimpses between the different sections of the station, the patterned openings – formed by 326 triangular carvings in three different sizes – also filter light gently into the atrium.

Outside of the concrete cone, a liner wall is decorated with a continuous media art installation more than 100 metres long, designed for light and artistic displays. Composed of 879 panels – a mix of acoustic, lighting, and video units – the media art wall functions both as a standalone design feature and as a dynamic backdrop.

The shifting movement of light across the media wall helps users understand the scale and proportions of the main circulation space, supporting both orientation and the overall wayfinding strategy. While its content will vary, the media art wall has been developed to maintain a smooth, calm visual expression, offering a deliberate contrast to the high speed of the trains and the flow of people moving toward them.

Download images here

Credit: Iwan Baan/Snøhetta

Download drawings here

Credit: Snøhetta

 

Read more about the project on our website:

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Qasr AlHokm Metro Station
The Qasr Al Hokm Metro Station in Riyadh is connecting two of the main lines in the Saudi capital’s brand-new metro network. In addition to making low-emission transport available to everyone, it links key districts and helps reduce traffic congestion in the rapidly growing city. The station is d...
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FACTS:

Location: Riyadh, Saudi Arabia

Size, station: 20.000 sqm, 8 underground levels

Size, plaza including mosque: 20.000 sqm

Scope: Architecture, Landscape Architecture, Interior Architecture, Art

Typology: Public space, infrastructure

Status: Completed

Timeline: 2012-2025

Client: Royal Commission Riyadh City (RCRC)

Certification: Green Building Rating System: LEED 2009 Gold Certification

Executing Consortium: ArRiyadh New Mobility (ANM)

The station design is based on a competition winning concept by Snøhetta, who undertook the detail design in collaboration with Cremonesi Workshop (Crew) and One Works.

Concept design, original competition collaboration with:

Structure: Akt

Services: Hilson Moran

Estimates: David Adamson

Lighting consultants: dpa lighting consultants Dpa

CONTACT:

Ida Halvorsen Kemp

Ida Halvorsen Kemp

Marketing Communication Manager, Snøhetta Oslo

 

 

 

 

 

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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