A revitalized St. Louis Symphony Orchestra opens its doors to ring in a new era

Snøhetta’s reimagining of the beloved Powell Hall and its surroundings, establishes a resonant dialogue with the past.

Photography by Sam Fentress

Beginning in 2019, Snøhetta, in collaboration with Christener Architects, Schuler Shook, BSI Constructors, and Kirkegaard, led the expansion and modernization of the St. Louis Symphony Orchestra’s historic performance space, Powell Hall. To ring in the hall’s centennial in 2025, the organization embarked on an ambitious 64,000-square-foot expansion with Snøhetta as design architect and landscape architect. The project will allow the concert hall to be more fully accessible and open to the community, creating a facility that supports and nurtures the creative process from idea to performance. 

 

At the renewed Powell Hall, a collection of public spaces will work in concert with an expanded lobby and back-of-house to provide universal accessibility to the public, as well as educational facilities and improved back-stage spaces that enhance all aspects of community use of the concert hall. ​ 

Drawing on the spatial language of historic concert halls and the instruments within, the entry is shaped as a series of canted shells assembled from raked masonry, creating a front-of-house addition defined by simple inclined surfaces and arched openings. The arched urban windows offer a sense of joy and creative energy within, giving a glimpse of what lies inside even before entry. Inside, a suite of gathering areas situated within a triple-height space include terraces that overlook one another, allowing visitors to both see and be seen while attending performances. 

 

Similarly inspired by the lyricism of music itself, Snøhetta designed a renewed public plaza at the corner of Grand Boulevard and Samuel Shepard Drive that brings the activities of the concert hall outside into a welcoming, sunlit square. Urbanistically, the space focuses energy among our neighboring arts institutions and creates a dynamic new public space that serves many functions—from a space for gathering before events, to a space that integrates vehicle drop-off further east, to a plant-filled garden for the enjoyment of nature for all. 

In other areas of the site, fluid circulation and arrival zones move people quickly to their destinations while also offering additional space that can be used for flexible programming. A series of routes throughout the plaza provides accessible pathways from multiple directions. Towering planting groves frame the entries, extending a sense of welcome to visitors. 

A back-of-house expansion along the eastern side of Powell Hall provides state-of-the-art spaces for staff and musicians, community events, educational activities, and other collaborative programming while serving as a hub for innovation across artistic disciplines. The expansion creates modernized rehearsal spaces for SLSO ensembles, expanded backstage rooms, new media and recording suites, and storage areas for musician and guest artists.

The reconceptualized St. Louis Symphony Orchestra signals a renewed commitment to music, collaboration, and community—setting a new standard for concert halls beyond and establishing a resonant dialogue with the past. ​ 

 

Prime Project Team:

Snøhetta: Project Lead and Design Architect

Christner Architects: Architect of Record

Schuler Shook: Theatre-planning Consultant

BSI Constructors: Construction Manager

Kirkegaard: Acoustics Design

Photography: Sam Fentress

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

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press@snohetta.com

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