Bisnode – bringing it all together

Snøhetta has designed Bisnode’s new office space in Oslo. The result: a 3 250 m² refurbished office space with a Nordic twist.

Snøhetta has designed Bisnode’s new office space in Oslo. Stretching over two floors, and merging a divided office structure into one Bisnode, the office reopened in March 2017.

At Havnelageret in Central Oslo, built in the 1920’s and once Europe’s largest concrete building, you will find credit analyst company Bisnode’s new office space. Stretching over two floors and merging a more divided office structure into one Bisnode, the office reopened in March 2017.

The merging process was essential for the makeover as Bisnode strived for a holistic office space, creating an even more integrated business for the good of clients and colleagues. Snøhetta was commissioned by the real estate company Entra to help their tenant through an initial process. The task was to unveil the optimal office solution bringing the 200 employees closer together in their new location, but at the same time respecting the particularities of certain departments.

The chosen interior concept, “circle in water”, acted as the principle guideline for the overall design and organization of the office space. The nodes in the Bisnode logo have also given inspiration and life to the detailing of all fixed and loose furniture, lamps, acoustic elements as well as the fritting of the glass walls. The concept is omnipresent, giving shape to the main elements of the interior, the suspended ceilings, the walls, floors, and layout of the work stations. At the core of the space, an acoustical ceiling encircles supporting columns, acting in parallel as a strong identity marker.

During the concept development phase, the project grew into a total interior refurbishing, including the development of a new stair case and amphitheater connecting the two office levels. A unique office space was also created for the young, dynamic sales department, matching this team’s more vivid, and consequently noisier, working environment. Sound absorbing felt material, a tailored color palette, as well as a “walk and talk” path circling around their office space, form the solution to their specific needs. Existing furniture, or elements of existing furniture, have been kept or redesigned to dampen the environmental impact.

The new Bisnode palette is characterized by its light, Nordic atmosphere, emphasized by wood fiber ceilings, birch veneered wall panels, solid ash wood floor and woolen carpets. The wood paneled walls surround a core of rooms painted in dark blue and accentuated by a small range of contrasting colors, breaking with the otherwise light and neutral work spaces. An extensive use of felt adds a decorative and acoustical touch, giving color and texture to the overall material palette.

Snøhetta has also delivered a signage, pictogram and glass fritting project based on the interior design concept. This also includes designing an interactive Bisnode timeline, partly covered by wooden panels covering the walls, which wakes to life once passed by a random passerby.

Ultimately, their individual needs have been summarized in a language of shapes and colors, to emphasize one common environment.

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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