Black glass panels create a striking play of colors across the façade of this Northern Norway industrial building

Situated on a challenging, narrow, steep, and north-facing plot of land, the new headquarters of the fishing and fish farming business houses office spaces, storage facility, and a learning center dedicated to aquaculture knowledge-sharing.

Photos: Sebastian S. Bjerkvik

The combined headquarters and innovation center was commissioned by the family business Magne Arvesen & Sønner.

Echoing the silhouette of the hillside behind it, the building connects to the upper terrain and extends gracefully over the quay—cantilevered and anchored by a slender concrete footing clad in corten steel.

The convex ocean-facing façade is wrapped in black glass, segmented by stainless steel fins. These vertical lamellae subtly protrude, amplifying the façade’s reflectivity and introducing depth. They capture and mirror the surrounding landscape, producing a vibrant interplay of color that shifts with light, weather, and season.

Spatial flow and social zones

Inside, the long, narrow building volume unfolds into a linear arrangement of offices and rooms, most with expansive views of the sea. Interior glass partitions and the building’s gentle curvature foster visual connectivity while preserving privacy.

As all employees work in private offices, reinforcing focus and quietude, informal gathering spaces are emphasized—widened corridors outside meeting rooms and a canteen nestled in a sunlit, sheltered corner serve as key social anchors.

The control room is the heart of operations, overseeing life in the fish pens. Here, light and view are carefully orchestrated to support concentration and collaboration.

Materiality and Context

The building’s roof aligns with the road above, rendering its surface visible upon approach. At the rear, an external gallery walkway spans the length of the structure, providing direct access to each floor segment while visually rooting the building to the mountain backdrop.

The façade facing this direction is clad in anthracite-colored fiber cement, punctuated by vivid red window frames.

Inside, the stairwell core is cast in raw concrete without surface treatment, giving it a tactile, industrial character. A striking light installation adds a sculptural element to the space. Throughout the main building, the floors are covered with carpet made from recycled fishing nets—an homage to the company’s maritime roots and a commitment to sustainability.

Throughout the building, a red-orange palette creates a cohesive visual identity, referencing the bright buoys of the surrounding waters, represent the company’s connection to the sea.

Access and Structure

The building is accessed from two distinct levels, reflecting both its dual function and the dramatic topography. Office areas are accessed from the road above, leading directly into the fourth floor, while visitors to the learning center Arctic Aqua arrive from the seaside at ground level.

The main construction, engineered by Bollinger Grohman, is a refined steel structure with exposed diagonal trusses integrated into the façade. These elements not only express the building’s structural clarity but also contribute to its visual rhythm and industrial character.

Storage Building on the Dock

Adjacent to the main building, a separate storage and office facility rests directly on the dock. Though heavy in form, it is light in material expression. Clad in thin fiber cement panels, the structure is softened by interior finishes—recycled plastic carpet woven to resemble fishing yarn offers resilience and texture.

The steel framework of the industrial halls features a deep red color, chosen to match the fire-resistant coating required for certain elements. Blue and yellow from the stored gear are mirrored in the office design, creating striking visual contrast.

In the office areas, a perforated metal ceiling enhances acoustics and is finished in a blue-green lacquer that evokes the shifting tones of the ocean. The warm orange-red corten steel outer doors ties back to the palette of the headquarters.

Download images here

Credit: Sebastian S. Bjerkvik/Snøhetta

Download drawings here

Credit: Snøhetta

 

Read more about the project on our website:

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Ånderkleiva
On the island of Andørja, north of Harstad in Troms, Snøhetta has designed a combined headquarters and innovation center for the family business Magne Arvesen & Sønner—a company engaged in fishing and fish farming. Situated on a challenging, narrow, steep, and north-facing plot of land at I...
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FACTS:

Location: Andørja, Ibestad Municipality, Norway

Size: 1410 m2

Typology: Industrial facility

Status: Completed

Timeline: 2017-2022

Client: M. Arvesen Eiendom as

Architecture, Landscape and Interior Architecture: Snøhetta

Entrepreneur, carpenter and concrete: Storegga

Steel and Metal: IMTAS Prosjekt AS

Locks and Fittings: Låsesmeden Finnsnes AS

Roofer: Svein M Jentoft AS

Sheet Metal Worker: Mathiassen Ventilasjon-Blikkenslager AS

Glazier: Glassmester Solbjør AS

Painter: Schwenke & Richardsen AS

Ceilings and Partition Walls: Troms Byggmontering AS

Plumber: T. Olsen Rør AS

Ventilation: GK Norge AS

Electrician: Bye Berg AS

 

CONTACT:

Ida Halvorsen Kemp

Ida Halvorsen Kemp

Marketing Communication Manager, Snøhetta Oslo

 

 

 

 

 

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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press@snohetta.com

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