Esbjerg’s new maritime center opens to the public: a new landmark lighting up the Danish west coast

In the seaport town Esbjerg on the Danish west coast, a new maritime center has opened to the public. Developed by WERK Arkitekter and Snøhetta, following a design competition in 2019, the center is created as a shared space for watersport clubs and visitors along the port, providing the town with a social maritime hub and architectural landmark.

Esbjerg’s new Maritime Center, dubbed “The Lantern”, is designed to put the community first. Housing multiple watersport clubs, boat storage, training facilities, a large workshop space and social functions, the center is a true hub for maritime activities. Its circular, open design invites visitors in from every angle, creating an accessible and inclusive building. ​

“The goal has been to create a unique destination that lights up the Danish West Coast, so everyone can find their way to new communities at the sea,” says Thomas Kock, Creative Director at WERK Arkitekter.

wichmann+bendtsen photography

Room for maritime activities and communities

Frank D. Foray, senior architect and project manager at Snøhetta, points out that the new center will invite to activity, engagement and learning for the visitors:

“The maritime center has room for everyone; from the experienced diver or professional kayaker to a crab-fishing school class or a random passer-by. The Lantern invites everyone to a peek inside the maritime life and outwards to the sea with its endless horizon,” says Foray.

The upper level of the building houses various clubs, including clubs for rowing, kayaking, sailing, diving and triathlon, as well as common areas, an educational center and training facilities. On the lower level, directly connected to the sea by a bridge, one can find the boat storage and workshop space. Large windows throughout the building’s façade give plenty of daylight and visibility inwards, while also connecting the center to its surroundings. At night, a warm glow shines through the windows, lighting the center up like a lantern.

 

wichmann+bendtsen photography

Inspired by wooden boat construction

The building design is inspired by the geometry and craftmanship of boats, paying homage to the maritime tradition and its significance in the port of Esbjerg.

Round-shaped holes between the terrace and the boat storage and preparation area bring daylight down to the ground floor's core and create a visual and social vertical link.

The façade has a rhythm and repetition inspired by wooden boat construction, both outside and inside. It also reflects the water's energy with the pace and horizontal rippling effect experienced when throwing a stone in the water. The changes in the angle of the panels give varying shadows, inspired by the shapes of kayaks. The wooden rhythm continues on the roof, where solar panels are integrated in a belt around the top edge.

wichmann+bendtsen photography

Where the poetical and practical meet

With a vision to create a space that unites the poetical with the practical, the Maritime Center aims to find a balance between the mesmerizing and never-ending movements of the sea and practical everyday chores. A symbiosis between the beautiful and the raw, the elegant and the robust.

The robustness of the center is evident not just in the buildings’ ability to facilitate activities, but also in how it creates shelter from strong winds. The building is planned for high water in case the water exceeds the new surrounding dam. Therefore, the structure up to the first floor is made of concrete, poured in one go. The wooden façade is designed to withstand harsh weather conditions, while the building is designed with areas where visitors can find shelter.

One such area, and the heart of the project, is a lifted, publicly accessible terrace, gathering all the different activities of the building. Connected to the first floor, the terrace is accessible from the two main stairs, creating an amphitheater. Along these two ​ amphi stairs, visitors can enjoy the view and the maritime activities on smaller wind-protected terraces on the first floot.

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Please credit wichmann+bendtsen photography.

Facts

Project size: Approx. 2800 m2 (approx. 3800m2 incl. terrace and boat storage)
Client: Esbjerg Municipality ​
Materials: Approximately 65 kilometers of European, Thermo-treated pine tree is used for the building's facade and roof construction


Download additional resources

Drawing: Ground floor

PDF 380 KB

Drawing: Section

PDF 123 KB

Drawing: Site plan

PDF 153 KB

Drawing: First floor

PDF 169 KB

Photo credits

PDF 1.1 MB

 


Contact us

Morten Moum

Morten Moum

Group PR and External Communication Lead, Snøhetta AS

Anne Mette Terp Scharling

Kommunikationschef, WERK Arkitekter

 


About WERK Arkitekter

WERK is a progressive architecture office with many ambitious projects in Denmark and abroad.

WERK consists of a dedicated team of planners, architects, and landscape architects. In continuous interdisciplinary collaboration, we develop unique concepts and strong visions within urban planning, landscape architecture, urban space, and architecture – always with a strong focus on community and diversity. With a holistic take on all projects, we ensure coherence in the cities – both aesthetically, functionally, socially, and historically.

We take pride in solving planning, building and urban space tasks in complex and visionary contexts. In our eyes, the right design solution makes a significant difference for the people who use a place, whilst taking care of the climate.

We often work with projects that involve many actors and politically driven organizations. We always have great respect for the unique physical and cultural framework surrounding a project. As a result, the core of WERK’s approach is always close dialogue and good cooperation with all parties involved.

Visit our website for more information: www.werkarkitekter.dk

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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