From Code to Carpet: Snøhetta and Ege Carpets introduce MATTER — a new woven language rooted in randomness

During this years 3 Days of Design in Copenhagen, Snøhetta and Ege Carpets launch MATTER – a flatwoven carpet collection shaped by digital randomness, advanced technology, and sustainable materials. A design method as radical as the result.

At the core of MATTER is a redefinition of how patterns are created. Inspired by the functional beauty of natural systems, Snøhetta developed a generative design process that translates randomness into woven form.

 

Using code as both tool and medium, randomness is no longer a byproduct—it becomes the logic that drives the design. Instead of repeating patterns, MATTER uses a set of randomized algorithms to generate a woven composition that is always shifting—subtle, non-linear, and alive. The result is a surface that feels closer to nature than to machine: ordered, yet never predictable.

Photo by: Oioioi

“MATTER is an exploration of scale, craftsmanship, and technology. Rather than viewing the carpet as a single surface, we approached it as a woven landscape—built from multiple threads that can be individually manipulated. From code to pixel, pixel to thread, and thread to carpet, we investigated how micro-scale design can shape macro-scale spaces. The result is a surface that feels uniform yet constantly shifting—ever-changing as you move through the space,” says Francesca Giulia Poli, Snøhetta Product Designer and project lead.

Digitally generated. Woven to last.

Woven with Ege's most advanced flatweave loom, MATTER embodies the convergence of digital design and material innovation. Each carpet is crafted from recycled yarns, carefully selected for their environmental performance and aesthetic quality. This is sustainability not just as a material choice but as a method: waste-minimizing, durable, and designed for longevity in high-use spaces.

Photo by: Oioioi

Color as system

The collection is offered in two parallel color palettes—each with 18 primary colors, interpreted through a muted (beige/grey) or saturated (blue/green) undertone. This duality allows each design to shift character depending on spatial context, offering designers maximum flexibility without compromising cohesion.

"We wanted to challenge the repetition of today’s serially produced products. The questions was how? Nature shows us that function doesn’t require uniformity, in fact, its beauty often lies in what seems random. In our collaboration with Ege, we set out to recreate that natural logic. Through digital tools and advanced weaving technologies, we have developed a semi-controllable process, one that resists repetition and welcomes variation on a microspopic level. The result is Matter, a design system that celebrates unpredictability and brings spatial richness to larger surfaces, where no two moments are ever exactly alike," says Marius Myking, Director of Snøhetta Product design.

Code, craft and collaboration

More than a product, MATTER is a process—from code to pixel, pixel to thread, thread to carpet. Each piece is part of a larger digital landscape—an intricate weave of intention, imperfection, and logic. It reflects a new kind of craft that celebrates unpredictability, values material honesty, and sees beauty in complexity.

MATTER is built with circularity in mind—from the use of post-consumer and industrial recycled content to the durability of its flatwoven structure. By embedding unpredictability into the design itself, the collection naturally resists visual fatigue and obsolescence—contributing to spaces that evolve with time, not against it.

Photo by: Oioioi

"Working together with forward-thinking companies has always been an important part of our DNA. It always inspires us to be curious and ambitious in our new design development, and we gain new and valuable knowledge every time. Our collaboration with the Snøhetta Product Design team has been a unique and exciting journey leading us to a completely new woven construction that really makes the most of our high-level weaving technology where the result is a beautifully crafted carpet with a perfect surface, high density, and extraordinary quality. We cannot wait to share MATTER - a true innovation and a future classic in floor design and are really proud and happy to be able to give a preview of the collection and insights into the design development that is still in progress," says Tenna Knak, Director of Product and Marketing at Ege Carpets

 

This collection marks a continued collaboration between Snøhetta and Ege Carpets, bringing together architectural thinking, technological innovation, and textile expertise. MATTER invites a new way of seeing—and weaving—the world through the lens of natural randomness, digital precision, and material responsibility.

 

Download high-res images here.

Photos by: Oioioi

Morten Moum

Morten Moum

Group PR and External Communication Lead, Snøhetta AS

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

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press@snohetta.com

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