Jesselton Docklands Brings A New Era for Kota Kinabalu

Jesselton Docklands is a tropical master plan designed to revitalize the port area of Kota Kinabalu, Borneo – the world’s third largest island. The site will feature a communal ferry and cruise terminal located near Kota Kinabalu International Airport. As a pivotal transportation hub with excellent connectivity options and rich tropicality, it is set to become a destination and gateway to the rest of Sabah. Snøhetta’s design for Jesselton Docklands will usher the city into a vibrant and dynamic future - one defined by sustainable urban living, cultural richness, and economic vitality.

This master plan redefines Kota Kinabalu’s interface with its waterfront, transforming the former port into a civic and cultural anchor for the city. By integrating resilient infrastructure with the island’s ecological and cultural identity, Jesselton Docklands positions the city as a strategic nexus within the Southeast Asian archipelago, bridging local heritage with global connectivity.

“Kota Kinabalu has a certain magic about it. The city is a staging ground, a gateway to the breathtaking natural wonders that Borneo has to offer. From the stunning marine life, lush jungles, tropical fishing cultures, local crafts and the majestic Mount Kinabalu. Our vision for the new Jesselton Docklands reconnects this once industrial part of the city back to its locality, its people and its heritage. Paying close attention to tie its storied past into a new vison for the future – a gateway to Sabah and to Borneo,” says Richard Wood, Managing Director Asia of Snøhetta.

 

Harmonious Island Living

The project aspires to become a benchmark for the future of tropical architecture in the region, with the potential to influence future development across the city, Sabah, and Malaysia as a whole. It is layered with diverse environmental strategies, engineered through collaborative discourse.

Located in an area prone to typhoons, the project is designed with careful consideration of wind and water to ensure it can withstand the harsh weather conditions and stand the tides of time.

The masterplan stems from an organic planning strategy that maintains a level of organization but allows the site to pay homage to the irregularities in the local fishing villages. This, in turn, assists with the high wind velocities and shading required during the hot summer months.

Echoing the resilience embedded in the granite formations of Mount Kinabalu, the architectural base is conceived not only as a dynamic civic landscape but also as a hydrological interface—designed to manage and channel stormwater through integrated systems of bioswales, rain gardens, and retention landscapes.

The design also features Ecological Patches that promote biodiversity and introduces native species from the wetlands into the project site. Landscapes curated with seasonal planting become living canvases that transition with the seasons.

Deep facades have been designed with local material to bind the site as a whole and respond to the climate.

 

At the Water’s Edge

Spanning from sandy beaches to picturesque water villages, from concrete seawalls to structures standing elegantly on stilts, the city’s edges encompass a rich tapestry of experiences, all intimately connected to the sea. Over centuries, fishing villages have developed lush, symbiotic relationships with the tropical context. Inspired by this, the masterplan endeavors to seamlessly integrate these diverse conditions, merging the urban life from the city on the west side with the nature from the east.

Leveraging water as a central element of the design, the masterplan relocates and reimagines the original ferry terminal to create a closer connection to the water’s edge. The terminal’s new layout features a cascading landscape that gently descends towards the waterfront. Together with the inner marina in the center of the site, it fosters a stronger bond between the city and its aquatic surroundings. Inspired by water villages, homes are perched on stilts above water, with meandering water channels weaving throughout the neighborhood. Residential and mixed-use towers create a skyline reminiscent of a mountain range, as a nod to the famous Mount Kinabalu, visible from the waterfront. Two Gateway Buildings stand as a welcoming portal, marking the project’s role as the new arrival point for Kota Kinabalu, into the nature and national parks beyond.

Throughout the site’s three plots, new view corridors offer layered glimpses of the sea within the cityscape. The masterplan emphasizes walkability, offering well-designed streetscapes that encourage to explore on foot – fostering a sense of community, safety, and connectivity. A central spine that stretches 732 meters links all the plots and the center. Shuttles assist as new mobility for the site, enhancing the feasibility of pedestrian-only placemaking. Various pathways, bridges, podiums, and pavilions weave a coastal condition where natural beauty and human creativity intersect. This picturesque setting blends lush vegetation, water features, and architectural elements that represent the character of Kota Kinabalu.

Through the strategic reuse of industrial pier foundations and the careful calibration of the waterfront, the Jesselton Docklands articulates an eco-friendly and community-oriented gateway to Kota Kinabalu, focused on well-being, where natural processes and urban life coalesce at the water’s edge.

 

To download hi-res images and video

 

Jesselton Docklands 

Location: Kota Kinabalu, Malaysia

Year: 2024 -

Status: Ongoing

Client: BEDI Development Sdn Bhd

Typologies: Mixed-use, office, hotel, residential, school, health center

Site area:28.2 acres

CFA: approx. 820,000 sqm

Scope: Landscape Architecture, Architecture

Collaborators: Lateral, KTDA, Arup

Images: Aesthetica

Video: Plomp

 

 

Serein Liu

Communication Manager Asia, Snøhetta

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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