Press Release: Snøhetta Completes Two Buildings on Cornell Tech Campus in New York

Together, the buildings create a new home for the entrepreneurial spirit of New York City.

 

Snøhetta has unveiled the Graduate Roosevelt Island Hotel and Verizon Executive Education Center, a pair of independently operated but physically connected buildings designed to create a welcoming front door for New York City’s Cornell Tech Campus. A planted entry plaza connects the two buildings, linking flexible spaces tailored to academic conferences, classes, and executive programs with lodging and dining options for guests and visitors to the island. Together, the buildings create a new home for the entrepreneurial spirit of New York City. 

Two Buildings Joined by A Courtyard 

Snøhetta provided overall design for the 36,500-square-foot business conference center as well as façade design for the 196-room hotel tower. Upon arriving on campus, visitors first encounter the 18-story hotel tower, its softly curved surfaces wrapped in shimmering double-height aluminum façade panels. A pair of V-shaped columns mark the threshold to a ground-level bar opening onto the shared courtyard while a continuous soffit runs from this entry along the perimeter of the ground floor and ultimately leads to the Verizon Executive Education Center. The conference center is tucked into the campus where it rises four stories and is wrapped with vertically oriented wood louvers that complement the metallic panels of the hotel tower. The two buildings, connected physically by the courtyard and sinuous soffit, play off one another visually, each catching and reflecting sunlight. Transparent glass panels along the base visually connect interior assembly spaces with adjacent courtyard and landscaped areas, extending views from the main campus entry point into and ultimately through the building. ​ 

Michael Cotton, Snøhetta Director and Senior Architect, explains: "From the beginning this was a unique experience because we got to design two buildings at once. Although each program and each client required a distinctive expression, the buildings ultimately work in partnership and are integrated within the larger Cornell Tech campus. As we worked through the design, we found that creating a unified base wrapping a shared courtyard offered the best way to bring together the two projects while also providing a functional podium supporting the individual use of each building. What results is a study in contrasts linked by public space: the hotel, tall and slender, uses the public realm to connect with the VEEC, which is low and soft by comparison." ​ ​ 

In addition to jointly supporting the public life of Cornell Tech, the two connected buildings share back-of-house services that enable each to optimize the efficiency of their respective programs. The conference center brings a large reconfigurable banquet hall and four multi-purpose classroom spaces to the site, each one oriented in axis with views of the campus and city. The modest and centrally located educational building is defined by its intimate, organic form and a warm material palette. A system of vertical aluminum louvers clad in western red cedar cloak the middle two classroom floors, providing a softer complement to the surrounding buildings. These louvres are spaced and angled to frame views of the city, providing a sense of warmth while also highlighting Cornell Tech’s proximity to New York City’s urban core. ​ ​ ​ 

The two buildings are aligned along the campus’ primary pedestrian path, informally called the Tech Walk, which links the buildings to a series of open spaces located throughout the site. The shared courtyard opens up to this thoroughfare, offering opportunities for Cornell students, hotel guests, and the public to intermix informally. Construction for the projects concluded in the Fall of 2021, marking the completion of the first phase of the 12.5-acre Cornell Tech campus plan. Stonehill Taylor was the Architect of Record for the hotel portion of the project; the 196-room hotel’s interiors were designed and coordinated by Nashville-based Graduate Hotels. Snøhetta worked in partnership with Field Operations on the landscape architecture components of the project. 

Cornell Tech-Snohetta-photography

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

snohetta.com