Slack NYC Headquarters

Snøhetta designs new office for Slack in Lower Manhattan

Slack is the fastest-growing workplace software in the world. With over 6 million active weekly users, the intra-office messaging system is revolutionizing the way teams communicate around the globe. For the startup’s New York City headquarters, Snøhetta retrofitted a 12,000 SF space on the top floor of an 1880’s landmarked building in Lower Manhattan’s NoHo/East Village neighborhood to provide a versatile, sunlight-filled office. The design of each of Slack’s offices around the world aims to integrate elements of their local context, and Snøhetta’s design for Slack’s new NYC space is inspired by the city’s distinctive urban courtyards. Drawing inspiration from interior parkscapes like Paley Park, bamboo plants provide natural privacy screens and energize the space with greenery. Four existing skylights with enlarged, splayed ceilings dramatically increase the incidence of natural daylight deep into the space and the pocket courtyards beneath them.

The office’s restrained material palette is evocative of an artist’s studio space with hints of color, angled plywood panels and custom light fixtures subtly reference Slack’s brand identity and imagery. The design represents a maturing tech office typology: Employees are encouraged to venture out of the office for coffee and lunch breaks, and integrate themselves into the neighborhood surrounding Astor Place. Further, underpinning Slack’s mission to improve workplace efficiency is its own dedication to the well-being of their employees – an internal motto is “work hard and go home.” At the forefront of the next generation of tech offices, the design of Slack’s NYC headquarters similarly embodies their commitment to improving workplace communication and culture. 

Upon arrival, employees and visitors pass the reception desk and are welcomed into the social heart of the office, a generous multi-functional ‘all-hands’ space.  Stepped wooden bleachers allow users to gather for large, office-wide meetings and presentations, lunch breaks, or informal meetings while sitting under expansive industrial skylights. An adjacent lounge space is lined with plywood benches also to encourage informal social interaction and spontaneous meetings.  A corridor connects these social spaces to the work space and meeting rooms where the Engineering and Accounts teams, the two main groups using the space, sit in an open, flexible plan.  A wide variety of workspaces and breakout rooms accommodate the diverse demands of Slack’s working environment, including one and two-person telephone booths to provide privacy for calls, as well as for when a more isolated work environment is needed.

Acoustics and natural light are critical in achieving a successful and comfortable open office space.  The existing skylights were subtly shaped to better fill the space with soft, natural light. Regularly spaced throughout the office, they draw the eye upwards and create varied ceiling heights that suggest the spaciousness of an New York loft. As one travels the length of the space, the alternating rhythm of workspace and interior courtyard allows for breaks and moments of pause.  Acoustics are carefully managed to maximize productivity and communication for each team. Wide planes of transparent glass allow visibility and visual connection through the conference rooms, but are acoustically separated. The non-symmetrical geometry of the meeting rooms minimize sound reflection that function dually to provide unexpected seating ledges on the exterior. The phone booths have been treated with bright, absorptive fabric panels that add a pop of color and element of surprise.

As a pioneering workplace technology, Slack aims not only to improve efficiency but also to cultivate company culture. By providing a pleasing, simple interface that streamlines workflow and encourages various types of communication, it also strives to help teams build a common sense of company culture. Building on Slack’s aspirations to revolutionize the virtual workplace, the design of its new physical work space promotes the same values.   From carefully managed acoustics and plentiful natural light in the workspaces to pockets for informal gatherings and lush, indoor courtyards, Snøhetta’s design allows a variety of social interactions and work styles to flourish.

For more information, please contact press@snohetta.com. All photos are courtesy of Slack ©Michael Grimm Photography 2017. 

Press Release_Slack NYC Headquarters

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

snohetta.com