Snøhetta Adds a Touch of Novelty to the Historic musée Carnavalet in Paris

After an extensive four-year renovation period, the musée Carnavalet, reopens to the public on Saturday 29 May 2021. The renovated museum offers an enhanced visitor’s experience that provides a unique travel through time to discover the rich history of the city of Paris – a story told through 625,000 artefacts, including paintings, sculptures, furniture, woodwork, art pieces and photography. Snøhetta has participated in the overall reorganization of the layout of the museum, working hand in hand with Chatillon Architectes to offer a new visitor experience that can accommodate for a large number of visitors all while carefully respecting the original features of the museum.

In 2016, Snøhetta was commissioned along lead architect Chatillon Architectes to undertake the architectural renovation of one of the most prominent museums in France: the historic musée Carnavalet. Situated in the 3rd arrondissement in Paris, in the historic and vibrant district of the Marais, the 3,900 m2 musée Carnavalet is the oldest of all Parisian museums, and before closing for renovation in 2016, the museum welcomed more than 400,000 visitors each year.

A Respectful Update

The musée Carnavalet is the result of the merging of two significant buildings, the Hôtel Carnavalet, completed in 1655 by the famous architect François Mansart, and the adjacent Hôtel Le Peletier de Saint-Fargeau, built in 1688 based on drawings from architect Pierre Bullet. Since the mid-1800’s, the musée Carnavalet has been listed as a so-called “Monument Historique” because of its importance to France’s architectural and cultural heritage.

Because of its significant historic importance, the overall design of the museum is developed in close collaboration with the museum’s scientific and cultural teams, as well as a wide range of experts on the city of Paris. The renovation carefully respects the original features of the building while restoring it to comply with current standards and enhancing the overall museum experience for all visitors. The latter is attained through the establishment of a more intuitive journey through the museum, the courtyards, and gardens, but also by making the building more adapted to children and people with disabilities. 10% of all artefacts are displayed at children’s eye-level.

While Chatillon Architectes have overseen the overall museum restauration and redevelopment, Snøhetta has added a touch of novelty to the space through the design of the new furniture pieces in the reception area and contemporary staircases. Snøhetta has also been in charge of the graphic design of the museum’s wayfinding, exhibition sings, panels and mediation equipment that will help facilitate the overall museum visit.

The new and monumental staircases are designed as bold organic shapes in dark steel with a refined timber step work. Throughout, Snøhetta has chosen to provide a dark consistent palette in coordination with the rest of the project and in particular with the new permanent scenography created by Agence NC (Nathalie Crinière) highlighting the detail and complexity of the displayed artefacts.

A Timeless Approach

The shapes and materials used in our design for the museum are timeless. The design comprises sustainable energy solutions, as well as high quality and long-lasting materials. The choice of powder coated metal for the staircases and solid wood finishes provides a strong resistance to use and longer material lifecycle. Plastics and disposable materials (such as paper for signs) have been replaced by flexible multimedia solutions.

The renovated reception area is designed for optimal use, and the ticket counters and cloakrooms have been reworked to increase the museum’s capacity and comfort. Moreover, Snøhetta has designed new spaces dedicated to teaching activities that have also been introduced throughout the museum. This includes workshops and a research area where the public can join specific activity programs and access the extraordinary resources from the museum’s rich collection. Several new exhibition rooms have been created by Chatillon Architectes, some of which are located in cellars that where up until now unaccessible to the public.

An Enhanced Scenography

The exhibition designers and scenographers at Agence NC (Nathalie Crinière) have enhanced the visitor experience even further though generous exhibition spaces and an improved chronological display and contextualization of artefacts that come together to tell the story of Paris – from prehistoric times until to today. In parallel with the overall museum restauration and redevelopment, more than 3,800 artefacts have also been restored to their former glory by experts. The project has also allowed for the display of 60% of the artefacts that were previously stored in the museum’s reserves.

The enhanced visitor experience will ensure that the musée Carnavalet becomes an even more attractive venue for Parisians, the French and international tourists by making it physically and intellectually accessible for all. Information about the exhibited artifacts have been translated into several languages and are now universally accessible adapted to all types of museum-goers: from savvy art and history connoisseurs to curious young children that have just started discovering the museum’s rich universe.

Credit Sheet

PDF 2.4 MB

Chatillon Architectes

Agence Pernille Christiansen/Pernille Le Marc

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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