Snøhetta and Citterio introduce Borealis

An interplay of structure and softness, connections and texture

Snøhetta and Citterio introduce "Borealis" during Paris Design Week 2025 — a new modular seating system where defined wooden planes meet soft, precisely shaped volumes. As a fusion of structure, refinement, material clarity, and compositional rigor, "Borealis" reflects a shared commitment to craftsmanship, comfort, and contemporary design.

The system is built around a visible oak frame, that encloses upholstered elements with architectural precision. Its essential geometry defines the system: precise, architectural, and balanced — delivering a sense of containment without heaviness and comfort without informality.

Reminiscent of Nordic nature and Scandinavian design approach, the wooden surfaces and profiles form a natural element in the space. Within the seemingly simple construction, technical features and solutions are hidden, to offer room for more subtle and undisturbed moments.

With Borealis, we set out to create something enduring, a design that feels both composed and adaptable. It’s a structural framework that offers calm and clarity, while quietly elevating everyday moments. The system reflects Citterio’s unique approach to spaces and our belief that good design doesn’t need to shout, it needs to support its context,” says Marius Myking, Director of Product Design, Snøhetta

Designed by Snøhetta "Borealis" combines the studio's architectural sensibility with its industrial design expertise. It translates the practice's transdisciplinary approach, blending landscape and built form, structure and softness, into a collection that feels at once natural and composed.

“Borealis” lines and elements assume a certain clarity, every connection is purposeful and contribute to the overall expression. This balance speaks the language of contemporary architecture, while responding to the needs of increasingly hybrid and flexible environments.

 

The design strength of “Borealis” also lies in its modular logic. The system is based on a square footprint — a generative unit from which an articulated collection unfolds: armchairs, two- and three-seater sofas, benches, and side tables. Each element is designed to maintain dimensional and formal consistency, enabling both free and serial compositions depending on the context. The apparent wooden frame, available in both a natural and a dark finish, serves as a precise boundary around upholstered volumes that connect with effortless coherence.

Thanks to the construction and logic of the wooden profiles and panels, “Borealis” becomes a true system: an architectural tool that can expand to different typologies, able to create dynamic furnishing landscapes, from open lounges to more intimate settings. The system evolves naturally with the space, offering flexible solutions for work, waiting, or social areas.

Our collaboration with Snøhetta is rooted in a shared vision of space and design — one that merges architectural sensibility with industrial culture. After UniFor, we’re proud to see Citterio interpret this synergy through a system that speaks the language of contemporary design,” says Carlo Molteni, CEO of UniFor and Citterio

“Borealis” will debut during Paris Design Week, with a launch event on September 4, 2025 and will be on display at the UniFor showroom in Paris until September 13.

 

 

Renderings and animation by: Shestakovych Studio

Photos by: A. Saletta for Citterio/Snøhetta

Click here to donwload high-res images


Morten Moum

Morten Moum

Group PR and External Communication Lead, Snøhetta AS

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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