Snøhetta and Italian architecture practice Park introduces urban redevelopment project in the heart of Milan

The two studios have transformed the iconic 1960s office block Pirelli 35 into a dynamic, accessible, and eco-conscious urban landmark that improves public access and redefines its role in Milan's cityscape.

Snøhetta has joined forces with Milan-based practice Park to transform Pirelli 35, a 1960s office block in the heart of the Porta Nuova district in Milan, into a dynamic, accessible, and environmentally sustainable urban landmark. The project, commissioned by real estate developer Coima, redefines the relationship between architecture, landscape, and public space, creating a new focal point for urban regeneration.

Condé Nast and Adidas are among the tenants who will occupy the office levels, transforming the former Telecom Italia headquarters into a vibrant creative hub for the sports and fashion giant and publications like Vogue Italia, Vanity Fair, WIRED, GQ, and AD.

Embracing adaptive reuse

Pirelli 35 was designed by architect Melchiorre Bega and completed in 1964 as part of the ambitious, though ultimately unrealized, Centro Direzionale di Milano project. The complex has since played a key role in Italy's telecommunications history.

The redevelopment preserves the majority of the original structure, embracing the principles of adaptive reuse while aligning with contemporary office design. The building's architectural and structural qualities have been enhanced through a transformation of the facades and the addition of two new floors.

A defining feature of the project is the removal of a central wing with the introduction of a suspended volume, that connects the existing building with the new addition on Via Bordoni, hovering over a generous 3000 m2 open urban space that reconnects previously fragmented parts of the context.

“We are delighted with the forward-leaning possibilities of creating a building that is given back to the public of Milan. This is very much in accordance with how Snøhetta has been thinking since its very inception, understanding that desegregation of cities, making buildings indoors accessible for the larger public, creating public ownership of these buildings, and increasing the accessibility for the public. Pirelli 35 is a good example of how regenerative architecture should look in European cities such as Milan,” says Kjetil Trædal Thorsen, Founding Partner of Snøhetta.

Two-way dialogue

This new courtyard, paved with an undulating stone carpet, creates a direct and fluid connection between Milan's Central Station and BAM, the contemporary garden in Porta Nuova. Large floor-to-ceiling openings frame this space, enhancing permeability and strengthening the dialogue between the building's interior and the urban realm.

The façade of the new building facing Via Bordoni, including the bridge element, is clad in aluminium with a terracotta textured finish that echoes the scale and character of the surrounding residential area. In contrast, the existing structure has been re-clad with a concrete-effect finish that enhances an elegant monumentality in the context of Porta Nuova, striking a balance between the different urban sides of the project.

 

“This building presents a captivating multiplicity of facets, and as you walk around the perimeter and through the courtyard you feel the sensation of experiencing several different buildings simultaneously. A key factor behind this architectural dialogue is the study behind each facade, crafted to respond to the unique characteristics of its surrounding environment. What emerges is not an imposing monument demanding attention, but rather a thoughtful composition that weaves itself into the existing urban fabric with quiet and elegant confidence. The building breathes with its context rather than competing against it, creating a dialogue between old and new that enriches the neighbourhood's architectural narrative,” says Tommaso Maserati, Snøhetta Architect and Project Lead

The building is arranged over three levels: the ground level is defined by a series of porous glass volumes, increasing access throughout the site. Above them, the office floors form the main body of the building, featured by essential, functional, and elegant interior design. The penthouse on the 10th floor hovers over the 9th-floor terrace, creating a unique meeting space with a spectacular view of the city. ​

 

With its mix of workspaces, public areas, and a vibrant rooftop, the project fosters around-the-clock activity in one of the city's most evolving districts.

Sustainable transformation

By preserving and reusing most of the original structure, the project significantly reduces embodied carbon emissions compared to a full rebuild. The commitment to sustainable solutions is further reinforced through the use of low-emission and recycled materials, as well as the integration of an extensive photovoltaic system that powers a water-to-water heat pump for thermal energy generation.

By shifting the façade behind the existing double-column structure, the design also reduces solar heat gain, improving environmental performance without compromising transparency or daylighting.

Initially presenting two distinct yet complementary proposals for the international design competition, Park and Snøhetta were invited by Coima to merge their expertise into a unified project. The collaboration demonstrates how different approaches to architectural quality and sustainability can lead to a mutually enriching collaboration and has materialized in Snøhetta's first completed project in Italy. ​

“This transformation is an opportunity to demonstrate how architecture can bridge past and future, memory and innovation. By working within the existing footprint, we have created something entirely new—an urban space that belongs to the city,” says Michele Rossi, Founding Partner of Park.

 

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Pirelli 35 - Milan's new urban hub
Park and Snøhetta have joined forces to transform Pirelli 35, a 1960s office block in the heart of Porta Nuova district in Milan, into a dynamic, accessible, and environmentally sustainable urban landmark. The project, commissioned by real estate developer Coima, redefines the relationship betwee...
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FACTS 

Location: Milan, Italy

Size: 27 000 m2

Typology: Mixed-use

Status: Completed

Timeline: 2020-2025

Client: Coima

Architecture and Landscape Architecture: Snøhetta and Park

 

 

 


CONTACT

Ida Halvorsen Kemp

Ida Halvorsen Kemp

Marketing Communication Manager, Snøhetta Oslo

Carmen Caggese

Press Office, Park

 

 

 

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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