Snøhetta and Vipp unveils nest-like cabins on the edge of Lysefjorden

Snøhetta has been working with local entrepreneur Tom Bjarte Norland and Danish interior brand Vipp to develop a unique experience on the edge of Lysefjorden on the Norwegian west coast. The Bolder project consists of four cabins lifted over the ground designed to harmonize in the best possible way with the surrounding nature and blur the lines between being indoors and outdoors.

 

The project, which started in 2020, grew out of the desire to create an experience that is truly special and authentic, where nature plays a major part. The four cabins, named: Stylten, Myra, Stjerna, and Eldhuset are located on the edge of Lysefjorden, built to blend in with the landscape with a minimal footprint on the surrounding nature. They are lifted above ground on large concrete pillars and have glass facades for guests to appreciate the natural surroundings from inside their private cabin and to bring the outdoors inside. ​

“With the Bolder project, we strived to preserve nature and enhance the experience of moving in an untouched landscape, with the smallest possible footprint on the surroundings. The cabins are lifted over the ground to create a weightless feeling on the edge of the spectacular, steep mountainsides, diving down into the clear blue fjord. The goal was to create a total experience for the visitors - coming back to a cozy, warm wooden nest with a spectacular panoramic view of the ever-changing weather after a beautiful day of hiking along the fjord”, says Snøhetta architect, Frank Denis Foray.

Photo by: Henrik Moksnes / Bitmap

 

 

Outside is inside

When stepping inside, guests are left with the illusion of floating in the air on the edge of the cliff with unobstructed views over the fjord and mountains filled with Bonsai-like pine trees and boulders left by the glaciers when the ice age came to an end thousands of years ago.

To draw the serenity of nature inside the cabins, a minimalistic design ethos with furniture in natural and durable materials in earthy colors and organic textures was opted for in the interior design and styling. Thoughtfulness underpins the interior choices and accentuates the meditative flow evoked by the space.

The cabins boast an upper floor with a kitchen and dining area by Vipp and a ground floor with a built-in bed and bathroom. Wood, marble, and leather are recurring materials of choice in the selection of furniture. In contrast, the concrete flooring on the lower level adds a roughness to a sensible décor.

“We are proud to have done this project together with Snøhetta. When we were looking for someone to design these cabins in one of Norway’s most spectacular places, the choice was easy. For the interior, Vipp has a timeless and honest elegance combined with a solid and functional refinement which is of great importance when you have guests every day. This aesthetic fits well with our concept of architecture in nature", says Tom Bjarte Norland.

 

Photo by: Henrik Moksnes / Bitmap

At one with nature

To reflect the nature of the building site, dominated by granite and slow-growing pine trees, Snøhetta chose to work with wood and concrete with aggregate from the actual site as the primary materials for the project. The trees that had to be taken down during the construction have been set aside to be re-used for other parts of the projects, and the granite that has been cut out of the ground has been used to make the concrete for the construction.

The wood used to build the cabins is untreated red Cedar that will gray with time, to create a natural look and blend into the rocky landscape. The Oak wood used inside is treated differently in the three small cabins, so visitors can have a slightly different experience when coming back.

Photo by: Henrik Moksnes / Bitmap

 

Shaped from the inside

The cabins are precise objects shaped from the inside, each focusing on the views and the qualities of the different rooms. The natural overlight and the large glass panels always give the inside a calming variation of the natural color specter throughout the day and through all kinds of weather – while keeping contact with the sky. The roof is mirrored on the underside to create an object free from the ground – hovering above the edge. The shape of the overlight is the same in size and placement as the concrete base. Asymmetrically placed, it creates the illusion that cabins are tilted out to the fjord, strengthening the sensation of weightlessness.

 

 

Photo by: Elin Engelsvoll

 

Like a nest

Both the inside and outside walls and roofs merge into one uniform shape. Letting the object be singular in the landscape and homogeneous on the inside. This gives the cabins a shallow and solid feeling, in many ways like a nest. Details on the inside are minimal and precise to ensure a complete experience with clean surfaces to not interfere with the spectacular view.

The light bridges above the landscape are made of Corten steel which also belongs to the natural material pallet in the area. Also lifted above the ground to minimize the footprint, the dimmed, neutral lights provide just enough light for the visitors to maintain the view in all directions also when the sun has set. Adding to the uniqueness of the Bolder cabins with the unobstructed views of the wild and constantly changing environment available day and night from your bedside. A true twenty-four-seven experience.

Except for electricity powering the light and the amenities in the cabins, the site is off the grid. The naturally sourced spring water coming out of the treatment plant under the parking is cleaner than the water in the local river running over the mountain.

The Bolder project will also feature two additional constructions set to be completed within the next few years – including a lounge and a gourmet restaurant serving locally sourced food.

Three of the cabins are now completed and open for bookings from the 1st of February. The last one, Eldhuset, is universally designed and will open around easter.

Photo: Elin Engelsvoll

 

Facts:

Developer and owner: Tom Bjarte Norland
Architects: Snøhetta
Kitchen and interior partner: Vipp

Location: Lysefjorden, Norway
Size: Stylten, Myra, Stjerna are 38m2. Eldhuset (that opens around Spring 2023) is approx. 60m2.

Website: www.thebolder.com

Link to download the complete selection of images

 

Video:

 

Photos by: Elin Engelsvoll/The Bolder, Henrik Moknes / Bitmap and Elisabeth Heier

 

 

About Vipp

Vipp might have begun with a pedal-controlled bin (the only bin that has found a spot in MoMA’s permanent design collection). Still, over the last 80 years, the Danish brand has grown to include kitchens, furniture, lighting, and accessories.

In recent years, Vipp has expanded beyond objects to design and open six hotels and two venues in Copenhagen: the Vipp Pencil Factory and Vipp Garage. Whether developing a bin or a kitchen, creating a furniture line, or hosting a hotel or supper club, Vipp always measures the quality of products and concepts on their long-term ability to provide an experience out of the ordinary.

 

Press contacts

Morten Moum | mortenm@snohetta.com | +47 92 43 51 59

Cecilie Østerby | coe@vipp.com | +45 51 23 96 63

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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