Snøhetta and VitrA Illuminate Material Transformation with Ceramics Forged in Light at INTERNI MATERIAE

An immersive installation exploring ceramic as a living process shaped by light, water, and time

Photo by: VitrA/Paolo Consaga

Snøhetta, in collaboration with VitrA, unveils Ceramics Forged in Light, an immersive installation created for MATERIAE, the 2026 exhibition presented by INTERNI during FuoriSalone and Salone del Mobile in Milan. The installation will be on view from April 20-30,2026 at Fuorisalone.

Conceived as a meditation on material transformation, the installation approaches ceramics as a living process shaped by elemental forces. Advanced fabrication and refined craftsmanship intersect with the inherent intelligence of clay, reflecting VitrA’s ongoing exploration of ceramic as both tradition and innovation. Grounded in the interplay of water, fire, earth, and air, the work responds to INTERNI MATERIAE – ​ the major event of Milano Fuorisalone 2026, created by INTERNI – ​ which continues its exploration of the technical and experimental potential of materials within contemporary design.

Drawing by: Snøhetta

Removing boundaries

Drawing on Snøhetta’s holistic design approach, the work removes boundaries between architecture, landscape, interior, and product design. Ceramics Forged in Light reflects VitrA’s spirit of experimentation and its ongoing advances in circular production, where ceramics can be reintroduced into the manufacturing process. The installation traces a quiet arc from earth to rebirth, revealing material not as a fixed object but as part of a continuous cycle of transformation.

“Ceramic is one of the most enduring materials in human culture, yet it continues to evolve. Ceramics Forged in Light invites a dialogue between elements, where material reveals itself not as something fixed but as a living continuum. It is shaped, reshaped, and continually reimagined. The installation encourages visitors to slow down and engage with the material’s origins, its sensory qualities, and its future potential, ” says Anne-Rachel Schiffmann, Director of Interior Architecture at Snøhetta

Interplay of Materials

Through the interplay of material, scent, and sound, the installation creates an atmosphere of quiet discovery, where simple forms become vessels for shifting perception. Light acts as a symbolic fire—the transformative force that turns raw clay into ceramic.

Light enters through oculi above, recalling ancient bathhouses where it dances with water and stone in a slow, enduring choreography. The space becomes contemplative and immersive, where architecture and nature converge. Basins, vessels, and surfaces take on a heightened presence, shaped moment by moment by light and water over time.

At the center of the installation, a water-filled bowl acts as a reflective pool, amplifying VitrA’s ceramic elements and inviting visitors to reconsider their tactile qualities and technological evolution. Its surface acts as both a mirror and a threshold, subtly shifting perception while reflecting the forms around it.

The installation highlights VitrA’s commitment to responsible production and circular design. By foregrounding ceramics’ inherent qualities alongside craftsmanship and technological innovation, the project demonstrates how material stewardship can become a catalyst for creativity, opening new pathways for sustainable design.


Download high-res images.

Photos by: VitrA/Paolo Consaga


About Vitra

VitrA is part of the Eczacıbaşı Group, one of Turkey’s most prominent industrial groups. Founded in 1958, VitrA is a leading manufacturer of building products with a strong international presence across Europe, the Middle East, North Africa, India, the GCC, and Southeast Asia. The Group operates four international brands: VitrA, Villeroy & Boch, Engers, and Burgbad.

VitrA is one of the few global brands providing an integrated range of bathroom solutions and surface systems for contemporary living spaces. By applying design intelligence to the total bathroom concept, VitrA Bathroom creates inspiring solutions with a wide range of options, down to the smallest detail. VitrA Tiles offers a comprehensive selection of indoor and outdoor surfaces that harmonize color, pattern, and texture, combining functionality with refined aesthetic appeal.

Operating 16 production facilities across four countries, VitrA manufactures a full range of bathroom products, including over 6.7 million sanitaryware units annually, along with complementary bathroom furniture, concealed cisterns, brassware, accessories, and 34 million m² of tiles. These products are distributed to approximately 90 countries across five continents.


About Interni

Published since 1954 as the first Italian periodical dedicated to interior decoration, INTERNI is today one of the main communication media in the field of Italian and international contemporary design, an essential working tool for professionals and design enthusiasts.

In 2024, the magazine celebrated its first 70 years of publication, during which it had ​ the good fortune to share in the fantastic and adventurous story of Italian furniture and decoration. It has closely monitored the growth of design generated by the brilliant intuitions and works of courageous and outstanding figures in culture, architecture, design, and entrepreneurship.

Beginning in the first half of the 1990s, the monthly magazine became part of Italy’s leading publishing group, AME Arnoldo Mondadori Editore, and, under the editorship of Gilda Bojardi, developed over time into a system of parallel publications that transformed the magazine from elite media to mass media. INTERNI’s activities also include the conception and coordination of events and exhibitions, organized to promote encounters among designers, manufacturers, and distributors.

The famous Fuorisalone, an urban phenomenon that enlivens the city of Milan during the week of the Salone del Mobile, was created in 1990 on INTERNI’s initiative, which in 2021 celebrated its 30th edition with the publication of Volume XXX-Y 30 anni di Fuorisalone | 1990-2020 Milano Design Stories (Electa).

Press Contact

Philip Ramirez

Communications Consultant, Snøhetta / Berman Group

Alessia Magarotto

Press Contact, VitrA

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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