Snøhetta Commissioned to Design the Shanghai Grand Opera House

Following an international design competition, Snøhetta has been commissioned to design the Shanghai Grand Opera House in Shanghai, China. The project aims to attract a broad audience through offering both traditional and Chinese opera performances, classical concerts and more experimental performances that will attract a younger audience. Snøhetta has developed the architectural, landscape, interior, and graphic design for the Opera, and the project will be undertaken in partnership with Shanghai-based architects ECADI.

The new Opera House is an important part of a new urban master plan for Shanghai that aims to place the city at the forefront of the globe, economically, scientifically, and culturally. The Opera House is expected to become one of the major cultural landmarks of Shanghai – the country’s 13th Five-Year Plan names it as the most important initiative to strengthen Shanghai’s cultural and global influence.

 

“The Shanghai Grand Opera House is a natural progression of our previous work with designing performing arts centers,” says Snøhetta Founder Kjetil Trædal Thorsen. “It is a culmination of the competence and insight gained through projects such as the Norwegian National Opera and Ballet, the Busan Opera House in South Korea, the Isabel Bader Centre for the Performing Arts in Canada, and the Théâtre Nanterre-Amandiers renovation in Paris. The Shanghai Grand Opera House is a product of our contextual understanding and values, designed to promote public ownership of the building for the people of Shanghai and beyond”.

The new Opera House will be built in the Expo Houtan neighborhood, located at the convex bank in the riverside area near Huangpu River. The neighborhood, which will have an ecological and low-carbon profile, emphasizes the Opera’s mission of being a public and open venue. The radial layout of the surrounding landscapes harmonizes with the overall geometry of the Opera building, ensuring key view paths from both the Opera to the city, and from the city to the Opera.

Designed to bring artists and the public under a shared roof, the sweeping form of the new Opera House embodies the concept of movement. The helical roof surface evokes an unfolding fan, capturing the dynamism of dance and the human body. Generating both surface and space, the radial movements of the roof form a spiraling staircase that connects ground and sky and creates views towards the city and the Huangpu river banks. The spiraling, fanning motions extend throughout the project, into the lobby, the halls, and the three auditoriums. The Opera House’s visual identity also references the same movements, with the new, clean logo characterized by a highly recognizable open fan pattern.

Public Space and a Generous Design

The Opera roof will become an accessible stage and meeting place, suitable to both large-scale events and everyday visitors. In celebrating both the collective and the individual, the plaza will allow visitor access 24 hours a day, 365 days a year, engendering a sense of public ownership. A series of restaurants, galleries, exhibitions, museums, education centers, libraries and small cinemas will all contribute to the Opera becoming a popular destination.

At the heart of the Opera is the 2,000-seat main auditorium: a finely tuned instrument that offers state-of-the-art technical solutions and superior acoustics. The 1,200-seat second stage will offer a more intimate setting for smaller productions. The 1,000-seat third stage offers a flexible stage and seating arrangement, providing space for more experimental and unique performances, aiming to attract a new generation of opera goers.

The white Opera exterior stands in contrast to the soft silk used for the interior lining. Oak wood forms the main floors of the galleries and the interior of the hall, ensuring good acoustic properties. In the hall itself, the wood is stained in hues of dark red. Expansive glass panes open up the main hall to natural light, which transforms the experience of the building throughout the day and from season to season. At night, exterior lights change the appearance of the stage towers, transforming them into glowing lanterns, illuminating the roof and skyline.

The Shanghai Grand Opera House will be a world-class venue, placing the visitor at the center of the stage. Through its aesthetics, functionality, as well as its cultural and ecological ambition, the Opera House will be an accessible canvas for global visitors, local citizens, and artists to fill with life and culture.

 

The Shanghai Grand Opera House is designed by Snøhetta in collaboration with our design team partners; ECADI (local design institute), Theatre Projects (theater design), Nagata Acoustics (acoustic design) and Schlaich Bergermann Partner (structural design).

 

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Shanghai Grand Opera House

Location: Shanghai

Year: 2017-2025

Status: Under Construction

Client: Shanghai Grand Opera House

Typologies: Performance Space, Public Space

Scope: Architecture, Landscape Architecture, Interior Architecture

Size: 146,786 m2

Collaborators: East China Architectural Design & Research Institute (ECADI), Theatre Projects, Nagata Acoustics

Credit information

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Download press release in Chinese

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Serein Liu

Communication Manager Asia, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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