Snøhetta Completes Aesop Pitt Street in Sydney, Australia

Located in the heart of Sydney’s central business district, Snøhetta has designed Aesop’s largest store to date. In the middle of this busy cosmopolitan shopping area, along the pedestrianized section of Pitt Street, the design of Aesop’s store intends to slow down the pace of passersby, encourage browsing, and draw attention to the contrasting textures and materials of the surrounding buildings.

Aesop Pitt Street is a result of the spirit of Sydney infused in the ambience and mission of Aesop, which includes creating honest products to be sold in shops which reflect the context of their locations, communities and environments. The interior space of Aesop Pitt Street is tranquil and peaceful, leaving visitors with a feeling of serenity and reassurance. 

The design process began with understanding the relationships between the spirit of the coast and waterfront at Bondi Beach, and the vibrancy of the central business district. A monumental granite structure wraps the interior of the sandstone building, paying homage to Christo and Jeanne-Claude's 1968-9 Wrapped Coast, which rendered the sandstone cliffs of Little Bay a theatrical, lunar landscape. Aesop Sydney brings the greatness and tranquility of coastal cliffs to the bustling downtown environment.

Responding to the energy of the downtown area, the store’s entrance, clad in textured granite, is set back from the street and provides a moment to decompress and transition into the space, metaphorically bringing the coastal calm into the busy city center. The contrasting color and texture of the entrance, in contrast to the smooth sandstone features of the building, signals visitors to slow down, and create a moment of stillness upon entry, allowing space to think and relax. 

A robust and durable material palette of stone, brass metal and concrete balances a sense of monumentality and intimacy. Inspired by the monolithic scale and texture of a stone quarry, the room appears to be composed of solid granite. Despite sandstone being the prevailing local geology, granite, an igneous rock known for its strength and durability, lines the pavements of Sydney’s central business district, where Aesop Sydney is located, which resembles a strong connection between Sydney and Aesop. 

Carved grooves in the stone create the divisions where metal shelves have been inserted, integrating shaves into the cladding. Polished metal detailing reflects the stone, creating an almost invisible line and highlighting the products displayed around the perimeter of the space.

The large metal block sinks boast a clean profile and displays the products in a central zone dedicated to cleansing and testing. The sinks and counters are industrial and sleek, even while their finish reflects the dark and cool stone. 

The Aesop Pitt Street store consists of several areas that cater to the needs of each individual customer. The communal sinks at the front allow for staff demonstrations and user-friendly testing of the products, whereas the private sinks deeper within the space allow for more contemplative product exploration, creating a sense of “home” away from home, and encouraging mindful selections. 

Towards the back of the store, a small amphitheater allows for a moment of repose and relaxation where visitors can choose to observe the environment or watch a short film displayed on an in-built screen on the wall.

Aesop Pitt Street is the eight Aesop store designed by Snøhetta. Other stores include Aesop Prinsens Gate (Oslo), Aesop Homansbyen (Oslo), Aesop Grabenstraße (Düsseldorf), Aesop Fasanenstraße (Berlin), Aesop ION (Singapore), Aesop Raffles City (Singapore), and Aesop Duke of York Square (London). 
 

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Leila Østerbø

PR & Communications, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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