Snøhetta Completes SUMMIT One Vanderbilt Observatory in New York City

Balancing jaw-dropping views, Snøhetta’s design calms the observatory experience with a choreographed procession of connective social spaces

Snøhetta and SL Green Realty Corp. have unveiled SUMMIT One Vanderbilt, a four-story observation complex that brings together spaces for art, gathering, and wonder to envision a new way of inhabiting the New York City skyline. The state-of-the-art promontory offers panoramic views over all five boroughs from a collection of curated multi-sensory viewing and lounge spaces located more than 1,000 feet above Midtown Manhattan.   

The journey up SUMMIT One Vanderbilt begins below ground at Grand Central Station, where Midtown Manhattan’s tallest office tower meets one of its most beloved landmarks. Visitors first encounter a wood paneled waiting area before mirrored elevators ferry them to the 91st floor. Upon arrival, they are greeted by the Hall of Light, an illuminated walkway that recreates the sky’s real-time color, hue, and brightness indoors. On cloudy days, the hallway is cool and dewy, on sunny days, it shines blueish white, always offering a hint of the immersive experiences of the observatory. Beyond, a two-story mirrored gallery installation designed by Kenzo Digital reorients visitors’ perception of the skyline by reflecting the city into infinity. In adjacent areas, Snøhetta has designed transitional spaces marked by changes in material, softly rounded corners, and curving soffits that anchor the more hard-edged areas of the observatory in order to balance the observatory’s immersive installations. Stitching together an interior landscape punctuated by sensual experiences, Snøhetta’s in-between spaces turn looking over the city into a social experience by refocusing our attention inwardly and toward those around us. 

Anne-Rachel Schiffmann, Snøhetta Interior Architecture Director and Senior Architect, explains, “SUMMIT One Vanderbilt grounds the observation experience in delight and comfort through the introduction of supple geometries, warm materials, and custom-designed objects that visitors can sit on or stand by. This approach creates an episodic interior landscape unified by experiences that enliven the senses. The transitional spaces Snøhetta has designed train our attention on our bodies, and in doing so, help restore a sense of equilibrium to our experience of the skyline as we take in the best views across this amazing city.”  

At the top of the observatory, the Summit Lounge offers a welcoming space containing a sculptural, heavy timbered panorama bench and hanging fireplace that visitors can enjoy while embracing vistas across Manhattan. With the warm, convivial atmosphere of a ski lodge and some of the highest views in North America, the Summit Lounge creates another zone in the observatory focused on the quieter aspects of experience, allowing visitors to look out and contemplate the skyline in comfort and with ease. Just outside, an L-shaped terrace offers dark granite bar tables carved from monolithic stone and solid wood benches for those looking to sit and enjoy the 93-story view. Here, mountain shrubs, high meadow perennials and grasses, and rough-hewn materials approximate a traditional alpine mountain summit experience while an outdoor bar completes the social atmosphere, creating a subtle tension between the observatory’s thrilling views and the relaxed physical experience of taking them in. Visitors might feel big and small at the same time, snug and excited in equal measure; as in other areas of the observation complex, each of the more dramatic viewing areas is anchored by contemplative spaces that create tactile and emotionally rich experiences high above the city. 

Project Team 

  • Snøhetta: Anne-Rachel Schiffmann, Craig Dykers, Alan Gordon, Mercedes Armillas, Timothy Kunkel, Joy Wang, Ava Amirahmadi, Kurt Marsh, Matthew McMahon, Michelle Delk, Emilie Alongi, Tiffany Fu, Claire Laurence, Sarah Davis, Todd Ebeltoft, Darby Foreman, Daniel Katebini, Sharon Leung, Russell Low, Dan Marty, and Catherine Shih. 

Project Partners and Consultants 

  • Interior Architect (Architect of Record): Snøhetta  

  • Landscape Architect: Snøhetta  

  • Owner & Developer: SL Green  

  • Development Manager: Hines 

  • Tower and Base Building Architect: KPF (Kohn Pedersen Fox)  

  • Construction: AECOM Tishman  

  • Collaborating Artist/Designer: Kenzo Digital Immersive 

  • MEP, FP, AV/IT: JB&B (Jaros, Baum & Bolles)  

  • Structural Engineer: Severud Associates  

  • Lighting Design: Arup 

  • Specialty Glass Engineers: Eckersley O’Callaghan  

  • Acoustic Consultants: Cerami & Associates  

  • Specialty Technology & Integration: Tad, Immersive Design Studios  

  • Signage & Wayfinding: Syndicate X, Pentagram  

  • Visitor Flow Modeling: AKRF  

  • Code Consultants: CCI  

  • F & B Consultants: Gigachef  

  • Retail Consultants: Lakeside Collaborative, Charles Sparks +Co. 

  • Architectural Metal and Glass: MISTRAL 

  • Millwork: GER Industries  

  • Landscape Contractor: Blondies’s Tree House 

  • Architectural Photographer: Michael Grimm 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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