Snøhetta Completes the Muttrah Fish Market

West of Muscat, on the coast of Gulf of Oman, a new fish market has taken the stand as a new landmark on the waterfront along the lively corniche in Muttrah. The Snøhetta-designed Muttrah Fish Market is created to serve as a focal point for the community of Muttrah, while simultaneously functioning as a hub for Oman’s thriving fishing industry.

Situated at the heart of Muttrah, on Oman’s largest harbor, the new fish market is a tribute to both the past and the future of Oman. The city of Muttrah is known for its long history of commercial trade, its characteristic port, and long-standing fishery traditions. Located close to the city’s original fish market, built in 1960, the new market marks a continuity of the region’s trade and fishing traditions, while also fulfilling Oman’s need to accommodate for the country’s growing tourism industry. 

Merging tradition with innovation, the 4.000 square meter fish market is designed to sympathetically unite the old and the new. The generous space creates a public meeting space where local fishermen and worldly tourist from all over the world meet under the same roof. The architectural concept is inspired by the playful qualities of light and shadow through the shape of a double radial wall defining the spine of the new fish market. Seen from afar, one can observe how the curved wall relates to the radial shape of the corniche and the wider bay area, interacting with the street by exposing the stairs from the roof terraces in the openings along the corniche. Referencing both the former waterfront and the continuation of the corniche, the fish market defines the boundaries of public space, interconnecting the city, the mountains, and the waterfront.

On street level, the new market enhances the public setting by forming a dynamically shaded canopy, organizing the spaces beneath it. The canopy’s form is derived from the sinuous flow of Arabic calligraphy. It follows the logic of a playful movement of light and shadow built from aluminum fins which provide shade, natural ventilation, and an ephemeral appearance. The complexity of the canopy roof contrasts the simple solidity of the concrete structure below it.

When entering the fish market, visitors are immerged in a lively marketplace which offers more than 100 fish sellers and cutters, as well as a new market for vegetables and fruit. The new facility also offers refrigeration, packaging, and storage spaces alongside offices, coffee shops, and a rooftop restaurant.

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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