Snøhetta Designs a Better Place to Think for reMarkable

With online retail on the rise, shopping habits are changing, forcing brands to rethink and innovate their marketing strategies. Although digital retail is effective, many consumers still want to see and experience products physically. In response to this, Snøhetta has designed “a better place to think” in collaboration with the Norwegian tech company reMarkable, whose next-generation paper tablet was named one of the best inventions of 2020 by TIME Magazine. In the store, reMarkable’s latest paper tablet can be experienced in an environment that allows visitors to delve into a universe that fosters focused thinking.

Situated in the middle of Oslo’s central fashion district in Øvre Slottsgate, a side street to the city’s main shopping street Karl Johan, reMarkable opened its first pop-up store in December 2020. The opening marks a bold move in the era of the pandemic, manifesting the importance of creating holistic retail experiences in the intersection of the analog and digital sphere.

– Although consumers are becoming increasingly digital in their shopping habits, especially during the pandemic, we see the value of letting our customers experience that «wow» moment of writing on one of our paper tablets for the very first time. It helps them understand our product better, and how it will prove useful in their everyday lives, says CEO and Founder of reMarkable Magnus Wanberg.

Conceptually, the store references the spatial qualities that characterize libraries – the unpolished elegance of clean and open spaces, tidy structures, focused reading zones, and a tranquil atmosphere. Central concepts that guide the design approach are the subtle yet powerful material qualities of paper, and the library’s ability to bring focus and clarity to one’s thinking.

– In today’s world, with constant digital and analog interruptions, creating a space for focused thinking can be a challenge, says Snøhetta Founder Kjetil Trædal Thorsen. – For creative solutions and bright ideas to flourish, the spaces in which we work and think need to cater for that mindful condition – the experience of being in a serene environment in which thinking can be uninterrupted.

The layout of the store revolves around a centralized column, out of which an inner and outer ring of tables in various heights provide places for focus, and for testing out the paper tablets. Wall-mounted shelves display accessories through custom-made product stands. A niche in the store creates a natural position for the point of sale.

The walls and ceiling are painted in a matte dark blue color, lending a calm and sober ambiance to the space. The existing concrete floor is exposed along the walls, while the central area is covered with a brown coconut carpet. The bespoke furniture around the centralized column are made from oak, treated with a matte lacquer, which creates a warm atmosphere. Orange lamps define the individual spots for trying out the tablets. Most of the walls are covered with pulp acoustic panels with a paper-like finish, providing tactility as well as acoustic qualities. The display shelves are painted white to blend in with the acoustic panels and to create a subtle and clean backdrop in the store. A hand-made chandelier surrounds the tables, expressing the energy and movement of a handwritten line.

In the same way as the reMarkable paper tablets that the pop-up store displays, the space is designed to support and explore focused thinking in the digital age.

About reMarkable

Based in Oslo, Norway, reMarkable is the leading innovator within the paper tablet category, developing breakthrough digital paper tablets for note-taking, reading, and reviewing documents. Its vision is to create human-friendly products to help people think better. The reMarkable 2 tablet was named one of the best inventions of 2020 by TIME Magazine.

For more information about reMarkable and its digital paper tablet, please visit https://remarkable.com

 

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Ingrid Sårheim

PR & Communications Lead, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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