Snøhetta Designs a World of Plants for Georg Jensen

Commissioned by the world-renowned Danish design brand Georg Jensen, Snøhetta has designed Terra – an innovative nine-piece plant accessory series crafted in terracotta and stainless steel. Inspired by the undulating waves and reflective flow of water, as well as by the contemplative, organic forms found in nature, the Terra collection sees Snøhetta combine the earthy, organic feel of terracotta and the cool, industrial edge of stainless steel, resulting in a series that offers an original and dynamic way to bring nature into the home.

Intended for both indoor and outdoor use, the Terra collection is comprised of three sizes of plant pot, the two largest crafted from terracotta and the smallest made from stainless steel; three sizes of uniquely reversible plant pots in stainless steel; a tray with a set of three small planters ideal for herbs; and finally, a watering can and a small watering globe, both crafted in stainless steel. Their distinctive, beautifully rounded shapes reinventing these age-old objects as we know them. 

Together, the collection represents a strikingly contemporary and urban interpretation of potted plants ideal for the modern home gardener. The pieces hold their own individually, as a sculptural standalone on a bare windowsill, but also make a statement when gathered as a group to form, for example, an impressive, verdant centerpiece. 

Inverting the shape of a traditional plant pot, the Terra vessels are wider at the base, a functional design choice that provides stability and room for the roots to flourish, while creating an elegant, shapely form. “The idea behind the collection was to create a world of plants, derived from the logic of nature,” says Marius Myking, Director of Product Design at Snøhetta, “The planters are deliberately reflected–upside down, if you will – giving the plant the opportunity to take root the same way that it does in nature. Moreover, several of the pots are made from Terracotta – a type of soil.” Three of the collection’s stainless steel planters are easily reversible, their subtly tapered silhouette providing two display options in one, depending on which end is placed into the discrete, accompanying saucer.

For this collaboration, Snøhetta was eager to fuse its innovative and experimental approach with Georg Jensen’s enduring legacy for impeccable quality craft. Though Georg Jensen has long been known for its vases and many of other types of vessels, this marks the brand’s first foray into interior planting and also its first time working with terracotta, creating a new chapter of materiality as the brand continues a long-standing tradition of defining and evolving the Scandinavian aesthetic. 

“Terra continues a tradition of challenging ourselves with the combination of metals and other materials,” says Georg Jensen Chief Creative Officer, Nicholas Manville. “Georg Jensen himself was a ceramicist before he founded the company. In a way, sculpting bold, metal pieces with a ceramicist’s eye has been at the core of our design approach for over a century. It is exceptional to see the materials living together in one collection.” 

The Terra collection will be displayed in the Georg Jensen flagship store during 3daysofdesign in Copenhagen and is available for worldwide sales from https://www.georgjensen.com.

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Ingrid Sårheim

PR & Communications, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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