Snøhetta Designs Burnside, an Informal Art and Culinary Space in Tokyo

Set atop a Family Mart in Harajuku, the heart of Tokyo’s street culture and art scene, Burnside is a chef-driven casual café and eatery by day and a bar and lounge by night. Snøhetta has designed this intimate space with input from the Bronx-based food, design and art collective Ghetto Gastro.

Using food to empower communities, Ghetto Gastro celebrates the Bronx as an inspiration and catalyst of global culture. Burnside builds upon this creative energy where the Bronx and Tokyo meet. Since their founding in 2012, Ghetto Gastro’s work to explore global food traditions has led to immersive culinary experiences produced with the approach of art installations. Inspired by this intersection of cultures, Snøhetta, en one tokyo, Ghetto Gastro, and local architect kooo architects have teamed up with artisanal, handmade sound system designer Devon Turnbull (Ojas), and flower artist Makoto Azuma to create an unparalleled dining and social experience that combines the elements of a bodega with a bar.

New York-style Bodegas, or conbini as they’re called in Japan, are a shared cultural experience of both Tokyo and the Bronx – the ease of takeaway and their ubiquity as neighborhood mainstays have cemented their place in the urban fabric of the two cities. Burnside Tokyo draws upon the conbini lexicon on the second floor above a Family Mart. Walking up to the second floor, the space unfolds into a focused view of the dining room and open kitchen. A wall of fabric-lined windows filters daylight into the space, creating the feeling of an active and humming café by day, and at night the windows bring in light from the street below to create an atmospheric lounge.

The transition between day and night, café and lounge, is a driving theme for the interior design. Two intersecting arches create a well-defined café/dining area and kitchen while also allowing views across both spaces, blurring the line between front-of-house and back-of-house. A dark material palette features amber-colored accents that reflect the changing light throughout the day while highlighting more ornate design elements such as the floral sculptures designed by Makoto Azuma. With a 30-person max capacity, the dining room is suited to maximize the floor space with custom-designed family-style tables that join together and fold away to allow a variety of layouts, including creating a dance floor for late-night events.

The dining room culminates in a proscenium arch at the pass table, where back-of-house and front-of-house intersect. This central pass table becomes the hearth of the kitchen at the project’s center. Beyond the dining room threshold is an open kitchen that revolves around the activity of the chefs and the culinary experience of heat and fire. The kitchen layout, designed with input from Ghetto Gastro, is intended to easily adapt for future chefs in the rotating roster. The overall flexibility of the design and layout ensures that the space accommodates a wide variety of pop-up uses and events.  

As Snøhetta’s first project opening in Tokyo, Burnside is a unique collaboration that has culminated in a flexible, creative destination for Harajuku’s artistic milieu. Whether hosting an up-and-coming chef, serving as a casual coffeehouse, or throwing a release party, guests will feel transported by this sleek intersection of Tokyo and the Bronx.

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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