Snøhetta Designs Grette's Visual Identity

Snøhetta has developed a new visual identity for the corporate law firm, Grette. The visual identity is based on the concept of interplay – a concept echoing the firm's work methodology and philosophy. It reflects how Grette's lawyers and other members of staff interact to move towards a common goal, and highlights the firm's client approach.

More than being a simple advisor, Grette aims to give legal advice based on deliberative dialogue. Recognizing each individual employee, their efforts, specificities and strengths lies at the core of how Grette tailors holistic teams that can take on complex legal assignments within a wide range of disciplines – be it within corporate transactions, intellectual property or the commercial real estate industry. The sense of collective effort and respect for individuality were strong design premises when developing Grette's new visual identity. 

Individuality and Collectiveness

Snøhetta developed a visualization tool that responds to different sets of employee characteristics, where experience is the strongest influencing parameter. Other parameters, such as title and name, are also taken into account. The output from these parameters is a constellation of quadratic shapes in sequential shades of grey, designed to blend into an underlying color.

Whereas characteristics such as title will generate a certain grey scale, the length of the person’s name will influence whether the gradient is structured horizontally or vertically. Individually, the shapes symbolize each employee's unique characteristics. Put together, the shapes reflect a set of skills, a complex pattern of experiences and characteristics making up the uniqueness in each legal team.

This visualization tool is accessible from Grette's digital design manual. In this manual, Grette can generate new patterns on the fly based on specific team constellations and across departments.

Logo and Typography

Grette's new logo is purely typographical, utilizing the well-established Grette name and legacy. Playing with the characteristics of two classical typography styles, the logo manifests the concept of interplay.

The typographic palette also includes a sans-serif that represents an interplay between European grotesques and American gothic typefaces. The different typographies can be used interchangeably or isolated – again echoing an idea of individuality and collectiveness.

Color Palette and Printed Material

A subdued and elegant color palette is applied throughout the different elements composing the visual identity. Typography and logo are composed of both neutral colors such as black, grey and white. For printed material, an equal number of warm and cold colors are available, ranging from subdued shades of burgundy, aubergine, blue, green, a warm grey tone, or pink.

Moreover, Snøhetta has developed an extensive kit of templates and guidelines for printed materials such as business cards, brochures, folders and other official documents.

Employees and Expertise. In Real Time.

In close collaboration with Kodebyraaet, Snøhetta has created Grette's new online home where all the graphical elements and design principles from the design manual are applied.

With strict priorities in content, the site showcases Grette’s expertise and highlights the strong duality between individual skill sets and collective efforts. This is reflected by the site's home page, where the characteristic, interactive pattern is generated in real time as new employees join the team and employees gain seniority.

Credit Sheet

PDF 452 KB

Julie Skogheim

Snohetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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