Snøhetta designs lamp series for Italian lighting specialist, Lodes.

Snøhetta’s product design team has designed a series of lamps for the famous Italian lamp manufacturer, Lodes. Known for their contemporary, innovative designs, Snøhetta is proud to announce its first collaboration with the Italian lighting specialists, whose tradition and expertise within the art of lamp making goes back more than 70 years. 

The partnership sees the launch of a new lighting collection entitled Volum, an exclusive series of glass lamps that is poetically simple yet complex in its technically driven solution - designed to fill a space with an uninterrupted, 360-degree illumination. Due to the minimal solution for the suspension, the lamp glows uniformly in all directions, giving a calm and coherent light from any angle, in any space.

"At Snøhetta we often talk about the notion of prepositions – the relationship between objects and people in a space. Applying this way of thinking – viewing something as above, below or next to something else – to a light source, it needs to be as functional and beautiful from all prepositions in space. The Volum series solves this in its technical solution, with an uninterrupted, 360-degree glow made possible due to matching, transparent lid, while celebrating the craft of glassmaking", says Marius Myking, Director of Product Design at Snøhetta.

An homage to tradition

Snøhetta was inspired by the architectural need for a contextually adaptable and scalable pendant light and consequently created an elegant white blown glass lamp available in four size options: 14 cm, 22 cm, 29 cm, and 42 cm (diameter), and despite their different sizes, they complement each other intuitively and harmoniously.

The Volum series sets a new standard with modern architectural sensibilities and pays homage to the Italian tradition of globe-shaped, glass lamps, and especially the glassblowing process.

"To elevate the material and its process, the shapes are derived from working with a glassblower, where the glass changes to a naturally imperfect shape during the process. The four volumes are therefore not the same shape, but rather intuitively fit with each other in different ways to make unique compositions and each size formed to its ideal use from clusters to singles", says Myking.

Seamless and understated, each Volum globe sees the diffuser and frame appear as one, single form – from which the cable is the only detached element. To achieve this level of superb cleanliness, the upper part of the glass has been skilfully cut – at 45 degrees – so that it can be closed with a translucent methacrylate lid that seals the lamp. While the lid conceals a metal part attached to the diffuser and the frame that houses the light source, the only exposed element on the outside is a small opening that allows the cable in and helps balance the globe.

Translucency

A unique aspect about Volum is the fact that it gives an uninterrupted 360-degree glow, made possible with the translucency of the lid. Many iterations and prototypes were made and tested out in the design process to get the light quality and expression to match the glass and to verify the possibility of the concept to create this continuity at the top. It is one of the details that define the Volum lamp.

During the entire design process of Volum, sketches have been an integral part of understanding the implication of imperfections in a circle. The different explorations led to reaching distinct shapes for the four sizes of the lamp that each have their own character. Slight changes and nuances result in very different expressions, which makes it harder than it might seem to find simple imperfection.

Volum is completed with a glossy white finish that is bold yet traditional, offering a decorative touch thanks to the reflections on the surface. With a single transparent hanging power cable, the three smaller sizes can be hung individually, as well as in a cluster on a canopy to make unique compositions.

– It was an honour to do this Project with Snøhetta, and the designers immediately understood what we wanted with the project, our history, and our vision. What they have created is a perfect interpretation of the past and the future, and we could not be happier with the result. With this reinterpretation of a lighting archetype, Volum represents another step in Lodes' ongoing exploration of the relationship between lighting, space, and the ways in which the individual interacts with these elements, says Massimiliano Tosetto, Managing Director at Lodes.

Morten Moum

Global Lead PR and Communication, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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