Snøhetta designs Memorial Arch for Archbishop Desmond Tutu

"An Arch for The Arch"

Cape Town - Snøhetta’s most recent project was unveiled today at South Africa’s globally renowned Design Indaba Conference. In partnership with South African office, Local Studio, and Design Indaba, Snohetta has designed a memorial arch for human rights activist and Nobel Peace Prize recipient Archbishop Desmond Tutu.  Once completed, the Arch will be situated at the intersection of Adderley Street and Wale Street at the northern end of Cape Town’s cultural precinct known as The Company’s Garden, between St. George’s Cathedral, where Tutu served as Archbishop, and the National Parliament. 

Following Craig Dykers’ closing keynote at Design Indaba, the first prototype of the Arch design was revealed.  To the surprise of the audience, Archbishop Tutu joined the celebration, making his first public appearance in nearly two years for the announcement of the memorial. Archbishop Tutu,affectionately known as The Arch to South Africans, was accompanied by the Mayor of Cape Town, Patricia de Lille, Archbishop Ndungane, Archbishop Makgoba and Bishop Vertue for the celebration.  The celebration was concluded by a chorus sang by the 48-person choir.

In late 2017, the first Arch revealed at Design Indaba will take its permanent location in Johannesburg at South Africa’s highest judicial court, The Constitutional Court.  The second Arch will take its place in Cape Town, symbolically linking the sites of Parliament and the Constitutional Court with sister Arches of 14 intertwined strands of bent wood, representing the 14 chapters of the South African constitution.  Snohetta and Local Studio will also design the improvements and seating to the surrounding plaza behind St. George’s Cathedral in Cape Town.

 

An Arch for The Arch

The recent landmark case in the Constitutional Court in South Africa, its apex court, found that the President has failed to uphold the Constitution of the country. It has been a salutary lesson that the country’s hard won democracy cannot be taken for granted. Delivering the judgment, Chief Justice Mogoeng Mogoeng said that the National Assembly “is the voice of all South Africans, especially the poor, the voiceless and the least remembered. It is the watchdog of state resources, the enforcer of fiscal discipline and cost effectiveness….”
 
A critical assumption in the architecture of the constitution is that Parliament shall always be in a position to hold the executive to account. This assumption is no longer true, and the adverse finding by the court should cause all of us to ask how that legitimacy can be regained. Renewing the covenant of trust between government and the governed is of critical importance now more than ever, and Archbishop Tutu’s Arch will stand as a testament to that need.

In a collaborative workshop with Snøhetta, the structural properties of an Arch emerged as the core concept for the design.  An arch is supported by opposing forces pushing against one another and held together by a keystone. As a metaphor for the integrity of the country’s democracy, the Arch’s conceptual keystone is the Constitution of South Africa. The form embodies the importance of the Constitution to the legitimacy of our democracy. 

The Arch’s significant location astride Parliament will stand as a constant reminder to lawmakers. Situated next to St George’s Cathedral, which is the seat of the Archbishop of Cape Town, the Arch will also frame the public entrance to the Company’s Garden, that has been in existence since 1652, and is the most popular walk for citizens accessing the cultural precinct of Cape Town.

An Arch for The Arch is more than a memorial for Archbishop Tutu. it leverages of the legacy of South Africa’s foremost campaigner for democracy to create a platform for public participation in upholding the Constitution. The Arch will stand as a permanent tribute to what was sacrificed in the pursuit of democracy, and the vital necessity of protecting these rights for generations to come.

Press Release: Snøhetta designs Memorial Arch for Archbishop Desmond Tutu

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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