Snøhetta designs Polène's new boutique in Hamburg

The design of Polène’s new Hamburg boutique, the brand's first flagship store in Germany, embodies a refined aesthetic—clean lines, fluid curves, and sculptural folds—an architectural reflection of the brand’s signature approach to refined leather goods.


 

Craftsmanship and curiosity

Conceived as a sanctuary, the space invites visitors to experience the essence of craftsmanship and the curiosity that defines the Polène universe, elevating the connection between product and space. Rooted in Parisian heritage yet shaped by Hamburg's raw coarseness, the boutique forges a new identity—where elegance and strength converge in dynamic harmony.

 

Guided by fluid interactions, the design translates the brand's DNA into a spatial language. Smooth, sculpted clay plaster surfaces meet the unpolished strength of metal, wood, and brick, creating a dialogue between refinement and rawness that sparks curiosity and wonder.

"For us, the design was about harmony—between a place and a brand, between people and space. Out of that dialogue, something new could emerge: a boutique that feels rooted and alive, elegant yet raw, intimate yet open," says Peter Girgis, Snøhetta Senior Interior Architect and project lead.

 

Material matters

Material choices are central to the Hamburg boutique, balancing softness with strength. The stone tiles—echoing those found on the city's streets—bring the fabric of Hamburg directly into the store, forging a subtle link between public space and private interior.

Local wood, chosen for its tone and grain, draws inspiration from the region's flora, introducing warmth and familiarity. Together, the material palette establishes a play of contrasts: hard versus soft, polished versus raw, refined versus elemental.

 

In this balance, the boutique reflects the resilience of Hamburg and the elegance of Polène, translating the city's character into a tactile, spatial experience.

"The concept began with a simple sketch of a human arm on a flight to Paris. Its natural beauty—the angles, the way it moves and interacts with what it carries—inspired the store's layout. Just as form follows function, the arm's dialogue with a handbag became the starting point for the entire design," says Julia Lackner, Snøhetta Interior Architect.

A conversation

At its heart, the project is a conversation—between designers and the Polène team, between city and brand, between people and the products they encounter. The body's geometry, the way it inhabits and shapes design, became a central part of the process.

Tactile encounters with leather reinforce the intimate bond between maker, product, and client—an enduring celebration of artistry at every stage. Custom-designed tables and curated gathering points encourage exploration, conversation, and connection, transforming the boutique into a space of both discovery and belonging.

The custommade furniture is a commission by Simon Stanislawski.

 

The Polene store in Hamburg is a store designed not only to showcase, but to immerse—where product and place merge in a poetic narrative of beauty, craft, and community.

The store also features an experimental gallery where the materials can be experienced up close. The section is Polene’s own design.


Gallery

Photos by: Benoit Florencon


Click here to download high-res images

 

Facts

Client: Polène Paris

Main contractor: Lamberti Shopfitting LTD T/A Lamberti Construction

Furniture, artist: Simon Stanislawski

Location: NeuerWall 71, Hamburg, Germany

Size: 570m2

Typology: Interior Architecture

 

Contact

Ida Halvorsen Kemp

Ida Halvorsen Kemp

Marketing Communication Manager, Snøhetta Oslo

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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