Snøhetta Designs Polestar's Chengdu Production Facilities

Snøhetta has designed a new production facility for the electric performance car producer, Polestar. Located in Chengdu, China, the edifice will function as a production facility as well as a touchpoint for both customers and visitors.

The focus of the design has been to create a production facility that is bright, spacious, and open for everyone. The building is built around environmentally friendly solutions, providing great outdoor spaces and allowing generous amounts of daylight to enter the building.

Central to the building is a glazed atrium that visually ties the different spaces together, acting as a shared courtyard with the aim of connecting all employees under one roof. Working in open shared workspaces enables dialogue and the exchange of knowledge and experience across departments. The intention of increased collaboration is further emphasized with a common front garden, creating shared outdoor spaces, daylight qualities and views for everyone. 

The design is based on an interaction scheme which gathers the researchers, producers and designers in one place to bring together workers, administration, leadership, customers, clients and visitors to create a feeling of openness and inclusion. Being within such close proximity to each other, this stimulates interaction and collaboration across disciplines. This new headquarter aims to enable new ways to align creative visionary processes with technical production requirements, and the layout sets a new standard for inclusive fabrication facilities. 

The building is characterized by a curved shape. The curve as an element acts as a structuring gesture, creating associations to the movement and dynamics of the car industry and car racing, tying the landscape and the building together. The building curves out of the main factory volume to create areas for offices, canteens and a visitor center. Vertically, the curved façade lifts to accentuate the building’s entrances. 

A distinct feature for the factory is the visitor center. Upon entering the facility, the guests can experience Polestar’s “visitor loop”, walking along the mezzanine where you get a view of the whole factory, the different departments and ongoing exhibitions. The visitor loop is intended for anything from potential customers, companies and students who are intrigued to learn more about Polestar. 

The interior spaces are dominated by a light and clean color palette to resemble a car manufacturing laboratory that is focused on technology and production. An exterior black steel shell contrasts the luminous interiors, giving the building a distinct character in the surrounding landscape. 

In the production area, large windows have been installed to create a view of the surrounding greenery, and to allow maximal use of daylight. Meeting spaces have been created both inside and outside the building to encourage social engagement across disciplines, and simultaneously utilizing the building’s surrounding green spaces. This does not only create connectivity, but helps fostering innovation by allowing the sharing of information and ideas across departments. 

Located in Chengdu’s suburbia, most of Polestar’s employees are transported to work by buses from pick-up points from around the city, unless driving or cycling themselves. Parking spaces for both bicycles and electric vehicles have been installed, as well as energy-efficient solutions to ventilation, drainage and use of water. A strong emphasis has been placed on creating inviting communal areas for the employees, using robust and durable materials with great longevity, such as steel, stainless steel and concrete. 

The performance line, designed as anodized aluminum structures or elegant strips of light, creates spaces within the space, guiding people through the factory. The production facility includes a customer experience center, staffed by product experts, as well as a customer test track, designed by Snøhetta in collaboration with engineers from Volvo, constructed within the campus to enable potential customers to evaluate the car to the extremes not possible on public roads.

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Ingrid Sårheim

PR & Communications Lead, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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