Snøhetta designs sensory exhibition space for USM Modular Furniture for Milan Design Week

Renaissance of the real

Snøhetta in partnership with USM Modular Furniture present Renaissance of the Real, a multisensory installation by Swiss artist and experience designer Annabelle Schneider. Debuting at the prestigious Fondazione Luigi Rovati during Milan Design Week, the project invites visitors to step away from digital acceleration and rediscover the sensory intelligence of the physical body.

The Vision: Presence Cannot Be Downloaded

We live in an era of hyper-connectivity, yet feel increasingly disconnected from our surroundings. While algorithms shape our desires more than reality, our attention becomes fragmented. Renaissance of the Real serves as a conceptual counterpoint to this digital saturation. The installation explores how carefully designed physical spaces can restore presence, perception, and human connection in an age increasingly shaped by technology.

The Architecture: Structure Meets Vulnerability

At the core of the installation is the iconic USM Haller modular system. For over 60 years, USM has defined a design language of precision and adaptability. Here, the system transcends its role as furniture, acting as the architectural skeleton that supports a soft, textile membrane that expands and contracts subtly like a breathing organism. This cocoon-like bubble creates a dialogue between the steel modular grid and fluid, organic softness – a space where structure and vulnerability coexist.

Photo: Courtesy of USM Haller

The Experience: A Sensory Recalibration

The architectural expertise of Snøhetta shapes how this relationship unfolds spatially. Known internationally for projects that connect architecture with landscape and human experience, the studio developed a spatial choreography that allows the installation to function as both a sculptural presence within the museum garden and an intimate sanctuary. The journey begins with a reset: upon arrival, visitors are offered a warm towel – a ritual cleanse during a week of overstimulation. Inside the textile cocoon, visitors will encounter a landscape of subtle sound frequencies, diffused light, scent, and tactile surfaces.

“The USM grid is both an anchor and an invitation. Our design explores the tension between the gridded and the amorphous, creating a permeable boundary that filters the outside world and draws attention inward to light, nature, and the quiet presence of others,” says Anne-Rachel Schiffmann, Director for Interior Architecture, Snøhetta
Photo: Courtesy of USM Haller

To further anchor the experience in the physical realm, artist and audio engineer Devon “OJAS” Turnbull will host daily vinyl listening sessions. From Monday to Friday (April 20–24, 5 pm – 6.30 pm), the space will be filled with analogue frequencies to further connect and calm its audience. The space is designed not for performance, but for stillness – offering a temporary refuge to breathe, listen, and simply be present.

“Renaissance of the Real is my response to a moment where reality is increasingly dominated by speed and images. Instead of producing another product, this installation is an immersive experience – a place where the structural clarity of USM Haller holds a breathing environment that invites us to reconnect with our bodies and each other," says Annabelle Schneider, Artist and Experience Designer

Photo album

Click here to download high-res renders.

Click here to download high-res photos


About USM Haller Modular Furniture

USM was founded in 1885 as an ironmongery and metalworking company. Its name is made up of the initials of its founder, Ulrich Schärer, and the first letter of Münsingen, its birth place and where they remain to this day. In the early decades of the twentieth century, USM specialised in window fittings, followed by ornamental hinges and precision-machined sheet steel.Today, USM is synony­mous with timeless, sustain­able design that evolves with our needs, gener­ation after gener­ation, whether in the workplace or at home. The brand's international reputation is built on its distinctive range of top-quality, exceptionally durable modular furniture.


About Annabelle Schneider

Annabelle Schneider is a Swiss-born, New York-based experience designer and artist, known for creating transformative spaces that blend physical and virtual realms, fostering emotional connection and well-being. Her project BREATHE WITH ME (2024), which debuted at NYCxDESIGN, evolved into a globally travelling installation. Her interactive works unfold as immersive sensory environments — layered with sound, scent, and light — that recalibrate perception and heighten awareness. Rooted in the belief that presence cannot be downloaded, her work reframes physical space as a vital medium for human experience in a digitally mediated age.


Morten Moum

Morten Moum

Group PR and External Communication Lead, Snøhetta AS



Photography as well as video content of the actual installation will be added to the press kit on Monday, April 20, 2026.

Press Preview Day

The artist Annabelle Schneider, as well as representatives of both USM and Snøhetta will be available for the press throughout the Press Preview Day from 10 am to 7 pm.

Please pre-register for the Press Preview Day on Monday, April 20 via: www.usm.com/MilanDesignWeek26_registration.

Requests for interviews can be submitted to press@usm.com.

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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press@snohetta.com

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