Snøhetta Designs Xingtai Grand Theater in China

Snøhetta has won the design competition for the Xingtai Grand Theater in China. Situated in Xingtai, one of China’s oldest cities, the theater will become a new landmark for the rapidly modernizing city.

As one of the fastest growing cities in the Hebei Province, the spatial layout of Xingtai’s old town is currently struggling to meet the needs of this rapid urban development. The new Grand Theater is the anchor of a new master plan in Central and Southern parts of the Province, forming a new cultural monument.

– Xingtai is looking towards the future while remaining grounded in its rich history, says Snøhetta founder Kjetil Trædal Thorsen. – The Grand Theater is an important cultural initiative to carry forward this city’s legacy and culture. 

The design proposal goes beyond the prescribed site boundary, intentionally introducing a larger gesture – the Grand Circle Promenade. This includes not only the Grand Theater, but a science-and technology museum, a circular event plaza and the central eco-park, creating a generous space of interaction and creativity. Physically, functionally and symbolically, this circular gesture unites and connects the different cultural programs in the area; culture, science and nature, marking the area with its unique identity, while simultaneously fostering and instilling harmony to its surrounding environment. This design initiative connects the different cultural and science programs in the vicinity, creating an inclusive public space where visitors from any cultural or social background can enjoy the sights and activities around and inside the Grand Theater, without necessarily being a ticket-holder.
 

The design is inspired by the ancient Eastern Chinese philosophy, “Tian Yuan Di Fang”, meaning round sky and square Earth, which is a way of understanding the universe. The round sky represents its organic moving elements, such as the moon and the stars, whereas the square Earth represents the stable steadfast ground. By distinguishing heaven and Earth, the philosophy encompasses everything in between. The all-encompassing, incorporating design pays homage to this idiom, spanning from the macro level of the science museum and the park, to the micro-level where activities happen between heaven and Earth, inside, outside, on top of, or between the buildings. 

Emerging from the Grand Circle Promenade is the Xingtai Grand Theater. The city’s name “XING” originated from the Chinese character “a well (井)”, attributed to the city’s early advancement in well technology. “TAI” means platform (台) and originates from the Tai Hang Mountains to the west. The design pays homage to the well and the city’s early advancement in well technology by incorporating the reflective pool at the center of the Grand Circle Promenade. A walkway circles the “well”, embracing the site before spiraling through the theater building, all the way up to its outdoor roof plaza, which provides a view of the new cultural area. The “platform” is represented via multiple podiums incorporated in the design, creating opportunities for both choreographed and live performances. Simultaneously, the building’s ceramic façade pays tribute to Xingtai’s rich porcelain manufacturing history, sweeping across the space and providing shade and cover for the pathway, as well as diffused lighting in the interior lobby. The Grand Theater’s structural slanted columns array at full height along the façade as a singular system, and the circular pathway mitigates itself along a square perimeter, rising to the outdoor roof plaza at 22.5 meters above grade. 

The design aims to provide a conceptual level of balance between the theater’s long-curved plaza, shimmering façade, and soaring atrium. The Grand Circle Promenade demarcates a circular space which can be used for picnic gatherings and family activities. The outdoor amphitheater welcomes spontaneous impromptu practice sessions, and the midpoint platform overlooks the park. Its surrounding neighborhood is expected to become a significant node of interest for both future residents and visitors of Xingtai. Focusing on the interaction between the building and the public, the walls interact with the building itself and is a key element of the overall planning for the building. The Grand Theater aims to serve as a space for performances from all around the world, but also where life and activities organically aggregate around it.
 

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Ingrid Sårheim

PR & Communications, Snøhetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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