Snøhetta explores the textures of terracotta in a new tile collection with Fornace Brioni

In a second collaboration ith Italian ceramic tile manufacturer Fornace Brioni, Snøhetta explores terracotta as a material and its traditional craft. The result is a collection of tiles and 3D elements named Void - focusing on material reduction and soft forms to enhance light, shadow, and texture. 

Photo by: Mattia Balsamini

After collaborating on the Forite project in 2021, Snøhetta and Fornace Brioni have worked together again to launch the Void collection. Understanding materials and their processes is central to Snøhetta's work and laid the basis for the Void project, exploring terracotta with the experts at Fornace Brioni.

 

"Terracotta is a highly tactile material, making you want to reach out and touch the surface. The materiality was the starting point when designing the Void tiles, focusing on the source and traditional craft, while exploring how negative space affects light and shadow", says Francesca Giulia Poli, Product Designer at Snøhetta.

Terracotta, or cotto, with its ancient tradition, is created through a simple recipe of mixing water, earth, and fire. One of terracotta's unique material qualities is its circularity. Leftover material can be collected and reused during production and even after firing.

Less is more

During the process, the aim was to reduce the amount of material used in the tile production, experimenting with different ways of reducing the material without compromising the structural quality of the tiles. With Void, less is more - and the characteristic appearance formed by the removed material is what makes the tiles stand out. 

The soft forms and shapes resulting from the reduced material enhance light, shadow, and texture and bring out the uniqueness of the traditionally crafted tiles, integrating the imperfections and roughness of the material as part of the expression. 

"Fornace's expert craftmanship and love for natural materials like terracotta laid the grounds for Void - allowing us to investigate the material and manual production process. The goal was to create a collection of tiles that is as beautiful and clean as practical and versatile. Void is an exploration of the usage of the material, beautiful in its simplicity, highlighting its interaction with natural light. Exploring materials is a big part of Snøhetta Product Design, and to again have the opportunity to work with Alessio and the Fornace Brioni team has been both rewarding and insightful", says Marius Myking, Director of Snøhetta Product Design.

Photo by: Mattia Balsamini

Unique patterns and compositions

The collection consists of a wall tile system and 3D elements. The two variants of the 3D component are larger and thicker than the tiles and can be used similarly to bricks to create walls or support surfaces both inside and outdoors. 

There are four variants of the tiles, including half-width options, which have a 1:1 and 1:2 ratio, respectively, and are therefore able to create a wide variety of geometric-based patterns and unique compositions. 

"We are excited to unveil our collaboration with Snøhetta. Their innovative vision and our commitment to tradition come together in the Void collection, embodying the excellent craftsmanship and sustainable approach that characterize both our companies. This partnership marks a significant moment in our history, opening new perspectives for the evolution of our brand." - Alessio and Alberto Brioni, Founder of Fornace Brioni.

 

Natural colors

Upon launch, the Void collection is available in four different natural terracotta colors, each entirely determined by the clay's composition or way of processing. 

Furthermore, the tiles will also be available in a glazed version that contrasts the rougher terracotta with a smoother finish. The glazed finish also makes the tiles more suitable for use in bathrooms and other wet rooms. 

 

Download high-res images

Photo credit: Mattia Balsamini

Art direction for the photoshoot: Cristina Celestino

 

Project Facts

  • Project Name: Void
  • Timeline: 2023-2024
  • Client: Fornace Brioni
  • Location: Italy
  • Status: Completed
  • Disciplines (by Snøhetta): Product Design
  • Typology: Tiles

 

About Fornace Brioni

Founded in 1920 and now at its fourth generation with Alessio and Alberto Brioni, the firm has always been a leader in the restoration of traditional floors. The two brothers now look to the future, investing in research and development involving infinite new interpretations of cotto, while preserving a strong bond with history.

Fornace Brioni produces handmade terracotta, starting from a mixture of only clay and water cooked over a fire. Terracotta has the specific peculiarities of an artisanal product: each product is in fact different from the other. Since 2016, Cristina Celestino, as artistic director, has reimagined cotto's history, emphasizing its unique identity and Renaissance charm through innovative designs blending craftsmanship and modernity.

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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Contact

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