Snøhetta launches Intro with renowned Italian handle producer, Olivari

Where it begins

During Milan Design Week 2026, Snøhetta and Olivari launches Intro – a new collection of handles designed by Snøhetta's product design team. The collaboration merges 110 years of Italian legacy and craftsmanship with a strategic design approach that places precision and detail at its core.

For designers, the door handle is more than just hardware. It is one of architecture’s most human interfaces – a tactile introduction to a space and a gesture repeated daily, often unconsciously. That combination matters: high frequency, direct contact, and universal use. It needs to strike a delicate balance: it should be pleasant to the touch and carefully considered, while remaining unnoticed and almost invisible. ​

When something is experienced often, even the smallest decisions in proportion, tactility, and control shape how a place is perceived and remembered. ​

“Product design is about the relationship between people and space. When something is touched every day, it has to feel honest, clear in the hand, calm in the room,” says Director of Snøhetta Product Design, Marius Myking. ​

Grip, turn, release

The design was born out of the movement and sequence of use: approach, grip, turn, release. Each movement was studied as part of a small ritual embedded in everyday life. The ambition was not to introduce another expressive object into a room, but to refine a familiar gesture – to make it feel precise, balanced, and intuitively right. ​ ​

The turning action is engineered to feel confident and controlled with enough resistance to make an impression, while the form is shaped to sit naturally within the hand. ​

A handle operates in millimeters. Edge conditions, surface transitions, weight distribution, and tolerances are not secondary details - they are the design itself. ​ A door handle is more than a functional object; it is a symbol of transition. ​ ​

“The handle turns intention into action, allowing us to cross thresholds; from inside to outside, private to public, one moment to the next. In this way, it becomes a small ritual, a marker of passage. Its form, material, and touch shape the experience, defining the act of entering or leaving spaces,” says Myking. ​

Introduction

The door handle is one of the few guaranteed physical interactions one has with architecture. It offers a moment to quite literally shake hands with a building – a formal introduction to its atmosphere and intentions. It gently leads you into the next room and marks your departure from the one you leave behind. ​ ​

A firm handshake and a proper introduction shape a lasting first impression. It is a familiar principle, yet one that is often overlooked. The handle serves the same role in architecture. It may be small in scale, and often secondary to larger architectural moves, but has the potential to define how a space is first encountered – and remembered. ​

The Intro collection also includes a window handle, so the handles on both doors and windows match and create a unified look in any space. With this addition, Intro becomes a natural part of your space, making every entrance feel intentional and thoughtfully designed.

“Working with Snøhetta was a natural and seamless process: simple, fast, and precise. Their ability to truly listen and transform dialogue into a product was crucial for this project. The result is a handle born from shared thinking, expressing a Nordic functional minimalism that adapts to every space without ever dominating it,” says Antonio Olivari, President of Olivari.

Materials

Intro will be produced exclusivelt in brass with a selection of galvanic finishes (bright and satin chrome), PVD finishes (bright and satin), and power-coated finishes offered by Olivari, developed to complement a wide range of architectural environments. From refined, metallic finishes to warmer tonal variations, each finish enhances tactility, durability, and longevity. The palette reflects the collection’s central idea: honesty in touch and calmness in presence. ​

Production

For more than a century, Olivari has refined the art of handle production, combining advanced technology with deep-rooted craftsmanship. All handles are still produced in-house at Olivari’s factory in Borgomanero, Italy – as they have been since 1911 – where precision engineering and rigorous quality control ensure consistency in weight, balance, and movement.

Manufacturing operates at a level where fractions of a millimeter matter. Hot forging, machining, and finishing are carefully controlled to achieve seamless transitions and a refined tactile experience. Hot forging helps achieve greater precision and prevents common brass defects, such as air bubbles in the molten metal. Surface treatments are developed not only for visual character but also for resilience, ensuring that the handle maintains its performance and expression over time. ​

With Intro, Snøhetta and Olivari unite heritage and forward-looking design thinking – creating a collection defined not by excess, but by precision, clarity, and the quiet importance of the everyday gesture.


Photo gallery

Photos by: Olivari

Download high-res images.

 

 


About Olivari

Since 1911, Olivari has been manufacturing door handles in Italy, at its own factories, where the entire production process takes place. Research and technological innovation, the continuous dialogue between tradition and modernity, and the collaboration with the most renowned architects and designers worldwide make Olivari a symbol of excellence, a benchmark for elegance and product quality.

 

Share

Get updates in your mailbox

By clicking "Subscribe" I confirm I have read and agree to the Privacy Policy.

About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

snohetta.com