Snøhetta revamps home of Norwegian national football team

At Ullevaal Stadion, Norway’s largest football stadium and home ground of the national team, Snøhetta has revitalized the stadium’s wardrobe facilities and player tunnel, providing both the home and visiting teams surroundings designed to foster enthusiasm, team spirit and recovery.

First opened in 1926, Ullevaal Stadion today holds approximately 28.000 fans. As home ground of the national team and historically also several local clubs in the capital, the stadium has become a staple in the Norwegian football scene. Despite several upgrades throughout the years, the stadium’s run-down wardrobes and cramped, convoluted player tunnel needed an upgrade.

The new facilities have been designed as a journey through the emotions of a football player. As players enter the foyer and press area, a touch of the past is brought out through selected trophies and artwork reminiscing Norwegian football history. This is thought to increase the confidence of the home team, while at the same time generating respect among the visiting team.

The adrenaline builds as the players move closer to the field. The wardrobes are both functionally and visually designed to help prepare the players for the upcoming game. Designed as arenas, with the coach in center, the rooms are created to strengthen team spirit and to create a strong sense of unity. This sense of unity is as important after the match, whether celebrating victory or recovering from a disappointing loss. The wardrobes also hold facilities such as showers, cold tubs, bathrooms, and treatment benches to allow players to recover and revitalize.

Minutes before the match begins, the team lines up to go meet the green field where thousands of fans await. This final stage of the interior journey, the player tunnel, is short, yet spacious, giving room for both nerves and excitement. The walls are covered in birch lamella paneling where some lamellas are pulled out to form a distinctive arch that binds the wall and ceiling, creating a tunnel motif while also hiding lighting and other installations in the ceiling. All end faces of these lamellas are coated with polished stainless steel, reflecting the daylight throughout the tunnel.

The wardrobes are placed halfway into the tunnel. Here, the walls are curved to form an intersection in the form of a square emphasized by a loop of wood in the ceiling fit with lighting. New and wider glass doors have been inserted at the end of the tunnel towards the field to let in as much natural lights as possible to be reflected in the polished steel strips of the lamellas.

As the main stage for the national team, the conceptual narrative is built on Norwegian materials and colors. The design is also a gesture to the players, often brought home from international teams to represent their home country. A natural and restricted color palette was generated to tone down the surrounding, giving space for stronger color tones often found on kits and equipment in the sport. The walls are covered with calm and light colors, using birch plywood in all main constructive elements. The foyer is clad with Norwegian Oppdal slate. To withstand abrasion from studded football boots, colored industrial coating is used on the floors in the wardrobes and player tunnel.

From the foyer to the field, the new facilities provide playerswith a functional space and teams a chance to prepare for the match of their lives.

You can download images here.

Contact: Mali Smogeli-Johansen, mali@snohetta.com

 

 

Share

Get updates in your mailbox

By clicking "Subscribe" I confirm I have read and agree to the Privacy Policy.

About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

snohetta.com