Snøhetta tidal installation in the north of Norway entices visitors to pause and experience the passing of time

At Trælvikosen, 65 degrees north and on the road between Namsos and Mosjøen in Norway, Snøhetta has developed a distinctive installation and rest area for travelers. The site is part of the Norwegian Public Roads Administration’s Norwegian Scenic Routes-program. Now open for visitors, the site offers the opportunity to walk into nature itself, on 55 steppingstones placed in the water in a horizontal line towards the greater ocean.

 

 

 

Taking the visitor across the sandy sea bottom in a precise line from the beach towards a small islet and the view towards famous mountain Torghatten, it becomes a fluid experience in line with the tidal level; fully visible at low tide and completely gone at high tide. It offers a range of impressions, from the small details in the shore to the grand views, and in addition, invites for a deeper understanding of time itself and the ever-changing nature. As the tide retracts and advances, new details and perspectives are revealed, minute by minute, inch by inch.

Through determined efforts for almost 30 years, the Norwegian Public Roads Administration has developed Norwegian Scenic Routes as an attraction with international appeal. Road travellers are provided with service facilities as well as the experience of innovative architecture and thought-provoking art in spectacular scenery. The selected roads run through landscapes with unique natural qualities, along coasts and fjords, mountains and waterfalls, and are intended as alternatives to the main roads. In addition to aid value creation in the tourism industry, the initiative has made a wide range of lesser-known areas more available to the public - to explore, experience and enjoy. In 2022, Snøhetta’s design at Trælvikosen is one of eleven new architectural projects that are opened as part of the new Scenic Route project series.

Compared to other Norwegian scenic routes projects, Trælvikosen intentions are to offer something distinctive. Aimed at increasing our awareness and attention to detail, the installation invites visitors to be immersed in nature, experiencing it, rather than just passing by or watch from a distance. Intentionally designed to make visitors slow down and observe, learn, and sense what is going on, the Snøhetta installation might also ignite new reflections on nature itself and how we take care of it for the future. ​

Landscape architect Thea Hartmann Kvamme elaborates;

- If we truly want to take better care of our nature, we also need more people to see and learn more about it. At Trælvikosen, we wanted to intentionally design the site to ensure visitors were enticed to stay longer than normal. To truly experience the details, the time and nature itself, and hence also understand it better, as it offers an opportunity to observe the ever-changing rhythms of our nature.

The sandy bottom of Trælvikosen contains beautiful natural elements, when we take the time to take them in. The small pyramids of the lugworm, traces of snails moving through the ground, flounders, round stones in unique formats and the river meandering in an ever-changing trajectory. These natural details are all exposed, but the picture changes throughout the day, and the same goes for the experience of the surroundings. It all happens quickly, but as the tide rises, inch by inch, time seems to stop. This is all exposed in low tide, before everything is covered with clear, blue water.

Download press photos here, and get a sneak peak of the experience from this timelapse.

Contact: Mali Smogeli-Johansen at mali@snohetta.com or +47 932 40 964

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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