Snøhetta Unifies Vesterheim Cultural Campus in Iowa with New Commons

Landscape and Architecture Traditions of Norway and the Upper Midwest come together

Unifying a Campus 

Snøhetta and Vesterheim have unveiled a new building and landscape for the storied Vesterheim campus in Decorah, Iowa. A new 8,000 square-foot building, known as The Commons, and collection of outdoor spaces, establish a dynamic new entry point and gathering space for a cultural campus containing a museum, folk art school, and other community-oriented facilities. Aside from anchoring the site, the new Vesterheim Commons project threads together Vesterheim’s Heritage Park with Water Street, the city’s main thoroughfare. ​ 

Marked on the street by a soaring wooden canopy, the new building’s public reception lobby mirrors the cozy and sheltered outdoor rooms of the surrounding park. Flexible upper-level galleries, including state-of-the-art digital facilities and a new production studio, create spaces where visitors can explore a rich collection of artifacts and artworks. The lobby is bathed in light from above by a wood oculus while a flexible event space and new circulation areas create interior connections to the Westby-Torgerson Education Center and Vesterheim’s Folk Art School. A second-floor gallery feeds the new digital workspaces and offices, including a new study room for the focused observation of Vesterheim’s astounding collections. Taken together, the project allows Vesterheim to draw in local residents and visiting groups from around the country so that new stories can be told through multicultural experiences bridging time and place. 

Elevation showing how the new Commons building will respectfully integrate into downtown Decorah's urban streetscape along Water Street. Image: Snøhetta.

An Evolving Woodland Park 

Snøhetta’s master plan for Vesterheim, completed in 2019, set in motion a unified campus composed of historic structures, outdoor classrooms, and revitalized commercial buildings set within a wooded landscape. In addition to offering a new public green, Vesterheim’s Heritage Park creates a dramatic setting for year-round public access to a variety of immigrant-built structures brought to Decorah from across the Upper Midwest region. ​ 

Heritage Park’s urban woodland, inspired by the surprisingly similar Driftless region of Northeastern Iowa and the wooded landscapes of Norway, extends throughout the outdoor spaces, bringing together two unexpectedly rugged landscapes on the site. Here, plantings frame woodland clearings to provide obvious thresholds and edges defining Vesterheim’s grounds. In turn, The Commons’ outdoor classrooms and interpretive spaces are framed by diverse regional plant species intended to adapt and evolve alongside the institution and its programs. ​ 

“We began working with Vesterheim in 2018 to envision a campus master plan that reunites and enhances the museum and educational facilities through a memorable campus landscape,” explains Michelle Delk, Snøhetta Partner. “By adding new outdoor gathering areas that extend Heritage Park to Water Street, Vesterheim Commons creates new interior and exterior public spaces where people can come together to enjoy the museum’s vibrant collections.” 

The Commons' new interior lobby is overlooked by a wooden oculus that brings light in from above. Image: Moare.

Shaped by Traditional Craft 

Built using locally sourced brick, wood structure, and textured concrete walls, The Commons links the museum collection and the Folk Art School to Norwegian craft traditions through honest and humble materials. This tactile and time-honored sensibility extends to skillful forestry practices necessary to nurture Heritage Park into the future. ​ 

“As a Norwegian-American company, Snøhetta is grateful and excited to play a part in recontextualizing ​ the experiences, art, and crafts of Norwegian immigrants here in Iowa,” said Craig Dykers, Snøhetta Founding Partner. “We hope and expect that The Commons and Heritage Park will create new opportunities for considering and understanding the experience of immigrants to the United States.” 

With its mass timber wood frame fabricated in Albert Lea, Minnesota and exterior walls built of brick from Adel, Iowa, The Commons extends a long tradition of using local materials to give shape to the life and culture of Decorah. The project’s distinctive yet respectful outward appearance creates multiple opportunities for Vesterheim visitors to experience and appreciate Decorah’s downtown architecture and the region’s verdant landscapes. ​ ​ ​ 

Construction on The Commons began in March 2022; The project is scheduled to be completed in Summer 2023. 

 

Vesterheim Commons Fact Sheet

Project timeline and team

  • Timeline: 2018- 2023
  • Location: Decorah, Iowa, USA
  • Client: Vesterheim, National Norwegian-American Museum, and Folk Art School
  • Design Architect and Landscape Architect: Snøhetta
  • Architect of Record: BNIM
  • General Contractor: McGough
  • Landscape Contractor: 2nd Nature
  • Cost Consultant: Directional Logic
  • Structural Engineer: Fast + Epp / MBJ Engineers
  • MEP & Lighting Engineer: Morrissey Engineering
  • Civil Engineer: Erdman Engineering
  • Acoustics Engineer: ARUP
  • Sustainability Consultant: Atelier 10
  • Heritage Park Phase I Landscape Architect: Damon Farber
  • Mass Timber Fabricator: Bell Structural Solutions
  • Brick Fabricator: Glen-Gery Brick
  • Mason: Berger Masonry
  • Concrete Fabricator: Wicks Construction
  • Entry Sign Woodworker: Jock Holmen

About Vesterheim 

Vesterheim, the National Norwegian-American Museum and Folk Art School, in scenic Decorah, Iowa, explores the diversity of American immigration through the lens of the Norwegian-American experience and showcases the best in historic and contemporary Norwegian folk and fine arts. This treasure is also an educational center, offering a wide variety of online and in-person folk-art classes, exhibition programs, and tours to Norway. 

 


 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

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press@snohetta.com

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