Snøhetta unveils a peaceful sanctuary overlooking Japan’s famous Mount Yotei

Rusutsu, Japan—Snøhetta has designed a new model for a vacation home nestled in the breathtaking landscape of Hokkaido Island for Japanese hospitality group, NOT A HOTEL. The project is located at the top of the famous ski resort, Rusutsu Resort, renowned for having the world's best powder snow throughout winter and as a relaxed outdoor and hiking destination during summer.

Capturing stunning views of Mount Yotei, the 1200 sqm building's clean, minimal form is informed by the surrounding mountainous terrain and the sharp site boundaries. Two linear volumes sit perpendicularly, one above the other, each gently curving to dip at the center. The volume below partially goes under the ground to house a gym and sauna. Atop is the living room and courtyard, extending into an arrival lounge, kitchen, dining area, and outdoor bath.

Hovering above the ground are the bedrooms and study. The dual volume configuration enhances functionality and architectural coherence while harmoniously integrating with the contours of the surrounding, natural landscape of Rusutsu.

“The foundation for this project was our close collaboration with NOT A HOTEL. We immersed ourselves in the stunning mountain top, snow drifts, changing seasons, and celestial zenith of the site to shape the project together. The project was formed by the landscape and our collective experience and understanding of the site. Our approach always has a fundamental connection to nature, striving to create a profound unity between our surroundings and design. For this project, we are inspired by the extraordinary natural setting, offering visitors a unique experience at the foothills of the majestic Mount Yotei”, says Richard Wood, Managing Director of Snøhetta Asia.

Photo by: Mir

Zenith

Snøhetta’s design concept for the project draws inspiration from the zenith — the highest imaginary point above a specific location on the celestial sphere. This idea of reaching new heights is reflected in Snøhetta’s creation of spaces that elevate the human experience, as well as paying homage to the surrounding landscape and the majestic Mount Yotei. The central courtyard is the heart of the design and a place for community.

“The social spaces engage the mind, while the restful bedrooms rejuvenate the spirit. Our facilities, including the indoor and outdoor baths with a spectacular view, gym, and sauna ensure the well-being of the body and aim to blur the lines between inside and outside, inviting nature in. The use of natural and local materials like stone and wood further embodies this project's holistic approach to human well-being and harmony with nature”, says Ana Castaingts, Lead Interior Architect at Snøhetta.

Photo by: Mir

Embodying this concept is the central courtyard of the building, serving as a focal point for gathering and reflection. It encourages both individual contemplation and communal activities, fostering a sense of aspiration and achievement within its serene environment.

The building's social zones are designed to captivate the cognitive mind, while bedrooms and rest areas serve to rejuvenate the spirit. Other facilities, including the indoor and outdoor baths overviewing Mount Yotei, gym, and sauna, promote the well-being of the body.

Since 2020, we’ve worked as a startup to pioneer a new business model that asks the world’s most exceptional creative talent to design one-of-a-kind homes that build upon Japan's incredible natural beauty. Today’s announcement with Snøhetta and Kamori Kanko is a major leap forward towards realizing our mission. In a single unforgettable design, NOT A HOTEL RUSUTSU elevates the possibilities of 21st century architecture and offers the new apex of design for vacation homes in Japan and the entire world," says Shinji Hamauzu, CEO and founder of NOT A HOTEL.

Photo by: ZOA

Inviting nature in

The glass facade and expansive windows enhance the seamless indoor-outdoor transitions and invite the experience of nature within the building. Locally sourced stone and wood accents complement the landscape, enhancing sustainability and aesthetic harmony.

NOT A HOTEL offers its use to guests through shared ownership. It invites all guests to slow down, find a respite in nature, and embark on a journey of contemplative exploration.

The project will move forward in phases from July 2024.

 

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◼️About Rusutsu Resort owned and operated by Kamori Kanko

NOT A HOTEL offers high-end vacation homes that combine design by world-class architects and creators with the comfort of IoT and other technologies, based on the concept of "your home around the world." It also features networkability that allows mutual use of all NOT A HOTELs, not just the house you have purchased. You can hold the property as an asset like your home or vacation home, and you can purchase a share of a mutually usable property in increments of 10 nights or more each year.

NOT A HOTEL RUSUTSU will be located at the top of the Rusutsu Resort ski resort. Rusutsu Resort is one of the largest all-season resorts in Japan, owned and operated by Kamori Kanko, located approximately 90 minutes from Sapporo and New Chitose Airport and surrounded by the Shikotsu Toya National Park.

Rusutsu Resort has won the most World Ski Awards, the "Oscars of the travel industry" in Japan, with 37 courses on 3 mountains, 42 km (1,378 acres) of pistes, 4 gondolas and 14 lifts, and an average annual snowfall of 14 meters (45 feet). The average annual snowfall is 14 meters (45 feet), and the powder snow is of excellent quality. The beautiful forest scenery of the slopes and the magnificent views of Lake Toya and Mt. Yotei. There are also a variety of snow activities such as dog sledding and snowmobiling.

Rusutsu Resort Webpage: ​ https://rusutsu.com/en/

◼️ABOUT NOT A HOTEL inc.

Company name: NOT A HOTEL inc.

CEO: Shinji Hamauzu

Year founded: April 1, 2020

Business details: Planning, sales and operation of NOT A HOTEL

URL:https://notahotel.com/

 

 

Morten Moum

Morten Moum

Group PR and External Communication Lead, Snøhetta AS

David Marx

Global Communications Director, NOT A HOTEL

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

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