Snøhetta Unveils New Canada Goose Flagship in Milan

Inspired by a Spirit of Boundless Exploration, the store holds a bold new place in the historic Quadrilatero della Moda

Images by Ludovic Balay

The new Canada Goose flagship in Milan introduces a fresh typology for the brand: an immersive retail environment that balances protection and performance with comfort, craft, and community. Designed by Snøhetta, the space embodies the concept of boundless, a design approach that draws from Canada Goose’s legacy in the world’s harshest climates and reinterprets it through the cultural, architectural, and material language of Milan.

Located on Corso Giacomo Matteotti in the historic Quadrilatero della Moda, the flagship is situated within one of Milan’s most iconic fashion districts. Snøhetta preserved the building’s original façade, honoring its architectural heritage, while transforming the interior into a contemporary spatial narrative exploring dualities of style and warmth, restraint and resilience, global identity and local craft.

The store unfolds through a carefully choreographed sequence of spaces. Guests enter through a refined walnut-clad foyer, a threshold that provides a moment of pause from the street while referencing the elegance of 1950s Milan, including inspirations from Villa Necchi Campiglio. Inside, a palette of tactile and enduring materials defines the environment: Ceppo di Gré terrazzo floors and columns celebrate Italian stonecraft; a curved aluminum counter paired with Kartell’s Charles Ghost stools nods to Milan’s storied espresso bar culture and design heritage.

 

At its center, Canada Goose’s signature vintage parka is displayed as an apex artifact of protection and performance, shaping the material and spatial language throughout the store. Environments shift between open, minimal displays and more layered, intimate moments. The Vault, conceived as an armadio or walk-in wardrobe, offers a private space for garment exploration and personalized styling.

Anchoring the interior is the Legacy Wall, a printed metal installation inspired by cartography. Blending traditional techniques with contemporary digital tools, the wall transforms Canada Goose’s heritage into an evolving geographic narrative, featuring a focused exploration of the Italian Alps for the Milan location.

Light plays an essential role in shaping atmosphere. Fully dimmable and tunable lighting adapts to time of day and season, echoing natural circadian rhythms. Vaulted ceilings and shifting volumes draw the eye upward, inviting a sense of openness and boundless possibility.

 

The Milan flagship also debuts Canada Goose’s next-generation global retail fixture system, a modular, sustainable toolkit designed for longevity, flexibility, and ease of reuse. Durable aluminum components, minimalist detailing, and local fabrication within 10 miles of the store reduce environmental impact while ensuring a consistent brand experience across global markets.

“This project presented a unique opportunity to translate Canada Goose’s boundless spirit into a Milanese context,” says Anne-Rachel Schiffmann, Director of Interior Architecture at Snøhetta. “Through material refinement, local craft references, and adaptable systems, we designed a space that is rooted in place yet expansive in experience, honoring both the brand’s heritage and the cultural richness of the city.”

While the retail concept is global in scale, each Canada Goose store remains grounded in its local environment. In Milan, subtle architectural cues, Italian materiality, and cultural references create a uniquely contextual expression of the brand’s world. With several new locations forthcoming, the Milan flagship marks an important evolution in Canada Goose’s retail journey, one that continues to center the outdoors, craftsmanship, and a boundless spirit of exploration.

 

Project Team

Snøhetta: Architect & Interior Architect

ML Architettura: Local Architect

lisa marchesi studio: Lighting Consultant

L&S group: General Contractor

Tecnolegno: Millwork and custom furniture

NAMARA: Art Strategy, Design and Execution

Ludovic Balay: Photography

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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