Snøhetta unveils the world's largest climatized reading space with their new Beijing Library

Snøhetta’s Beijing Library has opened doors for visitors as the world's largest climatized reading space. It is the firm’s latest innovation in the library typology, thirty-five years after they began work on Bibliotheca Alexandrina in Egypt. The project introduces a contemporary yet indelible place for learning, knowledge-sharing, and socializing to Beijing's rich cultural and intellectual scene. 

 

The new library is located in Tongzhou District, a designated sub-center of Beijing that is often considered the eastern gateway of the capital. As one of three new major cultural buildings in Tongzhou, the Beijing Library further establishes the area as both a vibrant district in itself and an extension of Beijing's urban fabric. It anchors the neighborhood's ambitious masterplan and will help to catalyze its transformation from a relatively undeveloped area into a lively arts and cultural destination. New transit links to Beijing's center are underway, promising to further integrate Tongzhou with the city and drive visitors to the sub-center.

 

Snøhetta was awarded the Beijing Library in 2018 through an international competition and the project was completed with local partner ECADI.

Credit: Yumeng Zhu

 

 

Reinstating the Library’s Relevance in the Digital Age

A decade or so ago, libraries were thought to be a disappearing typology as digitization has increasingly made information accessible at any time and place. To reinstate the library’s relevance in the 21st century, Snøhetta set out to offer a new vision for how it looks, works, and serves the community. The Beijing Library draws focus on the physicality of a book as an object and the conscious exercise of turning the pages to take in the written word as the primary experience amidst the picturesque setting of hills, trees, and the Tonghui river. 

 

“It is the love people have for books that has made libraries survive the digital age and hold new potential to give back more to the city and its public”, notes Kjetil Trædal Thorsen, Co-Founder and Partner at Snøhetta. “It is up to us to reinterpret the relationship between body, mind, and the surroundings to rekindle the joy of reading away from the screen. Libraries are here to stay.”

 

To reestablish the library’s role as an important pillar of public and intellectual life, and become more than a mere repository of books, Snøhetta has positioned the building as a center for learning, culture, and community. Drawing on the historical origins of libraries finding innovative responses to the needs of their time and place, Beijing Library makes the open exchange of ideas and human dialogue its core purpose. Throughout, there are dedicated spaces for exhibitions, performances, conferences, and the restoration of ancient books. The building firmly rejects the argument of the library becoming a derelict typology with the numerous possibilities it creates, by fostering an emotional connection between books, people, and the natural landscape beyond.

 

“The role libraries play in society and the way people use them has vastly changed,” says Robert Greenwood, Partner and Director of Asia Pacific at Snøhetta. "They are now needed to function as vibrant community spaces, enabling social interaction and knowledge-sharing."

Credit: Yumeng Zhu
Credit: Yumeng Zhu

 

Sculpting the Valley and the Hills within the Library

The glass-lined building invites nature into the reading space and lends transparency to the enriched interior environment when viewed from outside. At the heart of the library is a sweeping, nearly 16-meter-tall welcoming forum off of which rise stepped terraces along smooth, rhythmic curves. Carved through the center is a meandering pathway called the Valley, which serves as the main circulation artery of the building. The Valley mirrors the course of the nearby Tonghui river, seamlessly continuing the experience of the landscape beyond and linking the north and south entrances to lead visitors to all other spaces inside.

 

The terraced hills rising from the Valley are designed to create a sculpted interior landform that serves as the ground, seating, and shelving—an informal zone with opportunities to relax, talk, or read quietly, all while staying connected to the larger space. Semi-private reading areas and conference rooms are embedded into the hills, while book stacks and table seating are set on long, flat areas atop. This central open area is fully accessible and incorporates one of the largest book Automated Storage and Retrieval Systems (ASRS) in the world.

 

Punctuating the large space to transition between the scale of the Valley and the books are tall, slender columns that mushroom into flat panels shaped like ginkgo leaves—referencing a 290-million-year-old tree species native to China. The overlapping panels and the interstitial glass inserts create a canopy-like roof that floods the interiors with filtered daylight. Under this ginkgo canopy, one can reach the summit that overlooks the valley of books and the horizon of the vast landscape beyond. This experience of oneness with the immediate surroundings and the imagined world offered in books allows the reader to forge memories that are unique to the place. 

 

“The terraced landscape and tree-like columns invite visitors to lift their gaze and focus at a distance, taking in the bigger picture. This is a place where you can be sitting under a tree, reading your favorite book", says Greenwood. “The Beijing Library has an intergenerational quality about it, where you would pass on your stories to children and introduce them to the titles you’ve loved.”

 

At the northern and southern edges of the building where real ginkgo trees are planted at the entry points, the hills focus their views outwards to further enhance the connection with nature. The library celebrates Beijing’s natural and cultural heritage by integrating reading, performance, and landscape together.

Credit: Yumeng Zhu
Credit: Yumeng Zhu

 

Setting the Green Standard for Libraries with Sustainable Technology

The Beijing Library rethinks how libraries today can address the pressing climate challenges while incorporating cutting-edge technology to improve visitor experience. The building achieved China’s GBEL Three Star, the highest attainable sustainability standard in the country, by minimizing both embodied and operational carbon. The project is as much a steward of its environment as of the communities it serves. 

 

The use of modular components and a rationalized structural grid reduces the manufacturing waste for the building. For the ginkgo tree columns, a single module type is rotated on a 9x9m grid throughout the building to give the appearance of variety while being efficient to fabricate and install. These columns also house integrated technology to control interior climate, lighting, and acoustics, as well as collect rainwater from the roof to be reused for irrigation by channeling it to a green infrastructure system.

Credit: Yumeng Zhu
Credit: Yumeng Zhu

 

Generous roof overhangs reduce solar gain on the glass facades—currently the largest load-bearing glass system in China—achieving an important design element without compromising on sustainability. To further optimize the facade, the design reduces the height of the glass on the east and west wells and uses insulated low-E glass. The roof has integrated photovoltaic (BIPV) construction elements that replace the conventional roofing and facade materials, utilizing the prime exposure of the rooftop to sunlight for renewable energy production.

 

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Credit: Photo by Yumeng Zhu

 

 

Beijing Library

  • Year: 2018-2023
  • Client: Beijing Planning and Natural Resource Bureau
  • Location: Beijing Library, Lv Xin Road Courtyard No.1, Building No.3, Tongzhou District, Beijing
  • GFA: 75,000 sqm
  • Height: 22.3m
  • Status: Completed
  • Disciplines (by Snøhetta): Architecture, Interior Architecture
  • Typology: Library
  • Certification: Green Building Evaluation Label (GBEL)—“China Three Star”
  • Collaborators:
    • Executive architect: ECADI
    • Structural, geotechnical, and civil engineer: ECADI
    • Cost Consultant: ECADI
    • Building sustainability engineer: ECADI
    • Façade & BMU engineer: Eckersley O'Callaghan, Meinhardt
    • Lighting designer: ECADI
    • Main Contractor: China Railway Construction Engineering Group

Serein Liu

Communication Manager Asia, Snøhetta

 

 

 

 

 

 

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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