Snøhetta wins competition for cable car stations in Koblenz

Snøhetta has won the competition for the new stations of the city cable car in the German city of Koblenz. The location in the UNESCO World Heritage Site of the Upper Middle Rhine Valley requires particular sensitivity. As contemporary statements the expressive stations blend respectfully into the historical context.

Since 2011, a cable car has connected the city centre of Koblenz with Ehrenbreitstein Fortress on the other side of the Rhine. Originally planned as a temporary structure for the Federal Horticultural Show, the intention has since become to operate the popular, environmentally friendly means of transport on a permanent basis. The location in a sensitive historical context and technical requirements made a redesign of the stations necessary. In the architectural competition organised by the cable car operator, Snøhetta won with the proposal of sculptural forms for the valley and mountain stations, which form a “cohesive pair” and react sensitively to the respective context.

The valley station is located in the vicinity of the listed Basilica of St Castor. The gently curved shape pays homage to the historic basilica and reinterprets the city's architectural heritage and motifs. “The design shows restraint within the World Heritage Site without losing any of its architectural significance,” the jury stated. “The elegant roof shape creates a design reference to the St Castor Church.”

The metal roof shell is supported by a wooden structure resting on V-shaped concrete columns. The metal shingles of the roof are inspired by traditional façade and roof motifs of the city, while the gently sculpted concrete columns are reminiscent of the vaulted stonework of the church and traditional masonry along the river. The subtle green colours and the glossiness of the metal cladding continue the reflections and play of light and shadow along the river and the tree-lined riverbank. The curved shape of the station reinforces this subtle effect. The open space at the station is integrated into the landscape of the Rhine promenade.

A common, gently chamfered metal roof also covers the technical facilities of the mountain station. Stoic, robust forms create a link to the Ehrenbreitstein fortress. Slender columns support the wooden construction with metal cladding, whose warmer colours refer to the earthy tones of the fortress walls. A “flying” roof in front of the station spans the kiosk, ticket office and technical rooms, integrates an existing tree and creates a sheltered waiting area. The station and the cantilevered canopy emphasise the clear horizontality of the historic landscape in front of the fortress. As with the bottom station, the entire technical installations of the cable car will be retained in the top station and supplemented with facilities for the permanent operation.

“The cultural landscape and identity of the Upper Middle Rhine Valley are characterised by centuries of human intervention. The new stations are part of this natural and cultural context and with our design we continue the dialogue with the significant cultural landscape of Koblenz,” says Patrick Lüth, Snøhetta Partner and Managing Director of the Innsbruck studio.

 

Collaborators: sbp schlaich bergermann partner (structural engineer, façade & cost)

 

Download hig-res images here.

 

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Download the German press text

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Peter Zöch

PR and and Market Communication, Snøhetta Innsbruck

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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