Snøhetta with Liminal Studio and Rush Wright Associates wins Design Competition for UNESCO World Heritage Site in Hobart, Tasmania

Snøhetta, along with fellow Australian design collaborators Liminal Studio and Rush Wright Associates, has won the competition for the new History and Interpretation Center at the Cascades Female Factory Historic Site in South Hobart. The architectural team have developed a holistic and integrated architectural and landscape design that will enhance the historical significance, the values, and the visitor experience of the site.

The Cascades Female Factory in Hobart, Tasmania is one of Australia’s most historically significant sites related to female convicts, dating back to the time when Australia was a penal colony. It is one of three Tasmanian penal sites managed by The Port Arthur Historic Sites Management Authority (PAHSMA) and part of the Australian Convict Sites UNESCO World Heritage property. The historic function of the Female Factories was to put women to work, and today the factories are associated with the segregation of female criminals during the 19th century.

More than just a means of remembering, the new Centre will fulfil an empowering and educational role recognizing the social, cultural and political foundations laid by the convict women, building upon their legacy, connecting to the past to inform the future.

Design Concept

Snøhetta and design partners Liminal Studio and Rush Wright have developed a design that unravels the stories that have shaped the Cascades Female Factory and the development of the colony. The proposed design concept, which comprises a holistic and integrated architectural and landscape design, is a powerful reminder of the struggle between light and dark, imprisonment and liberty, punishment and reform, threat and opportunity, horror and hope. These dualities have informed an experience that is revelatory and transformative, culminating in an open forum, dubbed “The empatheatre” [empathy amphitheatre]. It is envisaged that the empatheatre will be used for open forums, performance, re-enactments, education, and events where current social issues can be discussed, while reflecting on the past, and inspire a call to action.

The History and Interpretation Centre

The journey into the History and Interpretation Centre is guided through a long, isolated walk with only the sky as the connection to the outside. Removed from reach and slowly stripped of the natural world, visitors are disconnected from the familiarity of their everyday environment and are confronted by the despair of the female convicts.

Through the educational exhibition space, visitors are guided through a labyrinth, the proportions of which replicate those of the cells in the Female Factory. The intention is not to oppress, but to aid understanding and acknowledgement of what has previously taken place at this site. Opportunities to reveal the past are taken through interpretive spaces and transparent floors offering glimpses to the existing excavated foundations below.

Landscape

The world heritage status of the Female Factory Site is bound to its location on the Hobart Rivulet and the rivulet’s significance to the historical development of Hobart. As a form of conceptual “excavation” the landscape design acknowledges the many layers of human occupation, settlement, suffering and industry on the rivulet and their intersection with the dynamic natural systems of the creek. Historic foundations are referenced and expressed with sensitive landscaping, providing depth and patina to reinforce the significance of the history whilst protecting insitu archaeological elements.

The remains of the Female Factory are surrounded by a wild garden, an abstracted landscape, where the traces of the former cell building are brought to the surface as fragmented “models”, only to be covered again with fresh new growth as a powerful metaphor for the ability of nature to heal.

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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