Snøhetta’s First Lamp Collection to be Launched at The Stockholm Furniture and Light Fair

Snøhetta has designed its very first lamp collection, Svit, in close collaboration with The Swedish lighting company, ateljé Lyktan.

Initially developed as prototypes for The 7th room at Treehotel in Harad’s in Northern Sweden, the collection comprises a wall-mounted lamp, a table lamp and a floor lamp. All three lamps were launched and exhibited at the Stockholm Furniture and Light Fair from 6 – 10 February 2018.

The Svit lamps are made from two wooden pieces of birch veneer held together by a piano hinge. This flexible design allows the wooden folds of the lamps to be opened and closed in a 180-degree angle. It carefully orchestrates the light to fit any room or setting in a non-intrusive, playful and creative manner. This playfulness is reflected in Svit’s functionality and flexibility, recalling the old-school lamps of a childhood desk or the breakneck stunts of a trapeze acrobat.

The collection further plays on distinctive contrasts between light and dark, inside and outside. This dualism is reflected in the Svit name, merging the nouns “svart” and “vit” (black and white in Swedish), and the lamps’ materiality. While the wooden exterior surface is treated with black coloring, reflecting the idea of darkness, the wooden inside of the lamp has kept its natural, light color, diffusing the warm light by dimmable LED strips. The tactile qualities of the lamp are emphasized by the coarse birch veneer, echoing the natural materiality of Scandinavian nature.

The lamps were launched under the name “Flik Flak”, but are now rebranded to “Svit”. The new name is a tribute to the dark and light aesthetic of the lamps and references the lamp’s origin: The 7th Room.

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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Contact

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press@snohetta.com

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