Snøhetta's retail concept for Canada Goose’s Paris Flagship is now open

A comprehensive global store concept rooted in collective identity, the transformative power of landscapes, and cross-cultural connections is a new addition on the Champs-Élysées

Photos by Ludovic Balay

Like Canada Goose, Snøhetta’s design ethos is rooted in collective identity, our enduring respect for nature, and the transformative power of landscapes to enrich society and offer cross-cultural connections. This collaboration represents Snøhetta's first comprehensive global store concept, establishing design guidelines for interiors, product fixtures, in-store graphics and visual merchandising strategies. 

Our approach for the new Canada Goose stores is encapsulated in the concept boundless. The design seeks to go beyond mere aesthetics by emanating a sense of adventure, exploration, and limitless possibilities rooted in the brand’s signature look.

"Canada Goose was born to protect against the harshest climates, and our design celebrates this legacy by creating a space of comfort and community," said Anne-Rachel Schiffmann, Discipline Director of Interior Architecture at Snøhetta.

At the new Paris store, the façade will feature a robust aluminum cladding that draws on the utilitarian language of shipping containers—structures engineered for durability in extreme polar conditions. This reference aligns materially and symbolically with Canada Goose’s heritage, evoking the resilience required to endure harsh climates marked by wind, snow, and ice. The aluminum surface is subtly enlivened with mica speckles that catch the light, mimicking sun glinting off freshly fallen snow, lending a poetic dimension that tempers its industrial rigor with moments of softness. 

There is an intentional and carefully choreographed entry into the store through the foyer, a threshold space that emphasizes the dualities at play. It serves as a meaningful transition and insulation from the outside world to the store within. Acting as both an amuse-bouche and a moment of pause from the busy street, the foyer is clad in wood that invokes a sense of meaning for the people of Paris—French oak often found in Haussmannian interiors. Sitting atop an oak table, the stone-work fireplace, Smouldering Among the Char and Ash, by Canadian sculptor Michael Belmore, which gives the illusion of the shimmer and glow of a dying campfire, welcomes visitors and brings a sense of the outdoors, inside. ​ ​ 

 

Just past the foyer, Canada Goose’s Project Atigi, Long-Tailed Amauti (2019) is on display as the apex of warmth and protection—a form of soft armor honoring Inuit design, the first parka makers. This idea extends into our material and spatial palette: tactile, resilient, and refined. The stores shift between sparse displays and more immersive, layered environments, allowing the products to breathe or intensify. Decorating the entrance feature, Tiptoe Through the Tundra, an original drawing by Inuk artist and writer from the Canadian Arctic, Ningiukulu Teevee, is reimagined as a striking large-scale plaster mural. The composition honors the traditional Amautis—the first parkas—through a subtle, graphic depiction of a richly ornamented garment. 

At the center, the Legacy Wall anchors the space with its printed metal surface. Inspired by cartography, it transforms stories into geographies that are contextual, informative, and visually striking. By merging traditional techniques with modern digital tools, the graphics bridge past and present—precise, adaptable, and evocative—revealing heritage as a living narrative constantly redrawn. Past the Legacy Wall, this story continues along the stairway to the second floor of the store with Alexa Kumiko Hatanaka's Nuna/Land, a large-scale print crafted with handmade pigments sourced from iron ore mines in Nunavut, Canada.

We embrace moments of comfort not only through materiality but through light. Lighting within each store is fully dimmable and tunable, evolving with the time of day and seasons, echoing natural patterns to enhance the shopping experience and reinforce a connection to nature. Vaulted ceilings and shifting volumes guide the eye up and soften the overall atmosphere, creating an enveloping, cocoon-like spatial experience. 

The new retail fixture system is a flexible toolkit of elements that adapt to any space, creating a recognizable brand experience across locations. As consumer demand for eco-conscious practices grows, this next-generation retail concept places responsible design at its core. Durable aluminum components ensure longevity, easy maintenance, and effortless reuse or recycling, reducing waste while extending lifecycle. A minimalist design reinforces timelessness, minimizing the need for replacement. 

While the retail concept is global in scale—ranging from intimate boutiques to expansive flagship locations—each store is grounded in its local context. We integrate regional materials and cultural references subtly but with intention. With several other locations in development, this marks an exciting evolution in Canada Goose’s retail journey—a journey that remains deeply tied to the outdoors and a boundless spirit of adventure. 

 

Project Team:

Architect & Interior Architect: Snøhetta

Local Architect: ML Architettura

Architect of Record: MAKE PROJECT

Lighting Consultant: lisa marchesi studio

General Contractor: L&S group

Millwork and custom furniture: Tecnolegno

Metal Façade: MCM Arredi in Metallo

Art Strategy, Design and Execution: NAMARA

Photography: Ludovic Balay

 

 

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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