The Hopkins Center Expansion renews a commitment to the arts at Dartmouth

Envisioned by Snøhetta, the rejuvenated center will continue a historic legacy of interdisciplinary creativity

Images by Jeff Goldberg

After two-and-a-half years of construction, the $123.8 million expansion and renewal of the Hopkins Center for the Arts (the Hop) reopened with a grand celebration on the weekend of October 17th. This renewed gateway to the campus’s thriving Arts District was designed to bring together artists and audiences by providing new practice and performance spaces, increased connections to surrounding arts buildings, and upgraded accessibility throughout the site.

Along with state-of-the-art digital and broadcasting capabilities and more rehearsal and production areas, the expansion will allow artists and audiences alike to create and enjoy contemporary forms of expression while complementing the Hop’s original architecture by Wallace K. Harrison. Snøhetta’s expansion works alongside the expressive existing architecture while also preserving the building’s iconic arches and presence, as well as its beloved spaces like the Top of the Hop, Moore Theatre, and Spaulding Auditorium. Snøhetta’s renewal of the Hop represents the latest improvement to the Dartmouth Arts District and follows the creation of the Black Family Visual Arts Center, completed in 2012 by Machado Silvetti, and the renovation of the Hood Museum of Art, redesigned by Tod Williams and Billie Tsien Architects in 2019.

Our design reflects the combination of the rugged and refined that defines this corner of New Hampshire. The exterior plaza is sculpted for intuitive movement to guide visitors towards places for gathering, meeting, and entering. Designed as a platform to elevate the daily lives of students and faculty, the space welcomes visitors and offers a glimpse into the dynamism of the arts processes happening inside the building.

With a new connected entry that expands inside the Hop, the existing building spaces are linked to the rejuvenated facilities. The new lobby (dubbed the forum), creates a vibrant social space that will be active with students, faculty, and staff throughout the day or with audiences before and after performances. A central stair links the forum with the second-floor, connecting the new Recital Hall and a Performance Lab with the ground floor and plaza.

 

The 150-seat Recital Hall is designed as a glass-enclosed lantern that overlooks the plaza and offers stunning views of the Baker Library Tower while looking into the Sugar Maples on The Green. Its tapered arch-framed windows are created using an innovative, curved mullion system, allowing for ample daylighting of the flexible seating configurations in the Hall. The space, outfitted with bespoke finishes and refined details, also offers state-of-the-art audio-visual equipment that will facilitate the creation of student-led performance media while transforming the Hop into a broadcasting center for digital performances.

A level below the forum sits the new Dance Studio, a partially-submerged rehearsal space with north-facing clerestory windows bringing in natural light and glimpses to the plaza tree canopy. As the Hop’s first purpose-built dance rehearsal space, the Studio’s 24-foot ceiling heights and well-lit interiors offer the ideal place for dance troupes to perfect their routines. Our design also refurbished the Hop’s 900-seat theatre, Spaulding Auditorium, while meticulously upgrading the Top of the Hop, a beloved gathering space.

The Hopkins Center has been a multifaceted hub for artistic experiences at Dartmouth since 1962. The arts are essential, and the new Hop puts the arts at the center of the Dartmouth community—sparking joy, fueling creation and connection, and deepening the understanding of those around us.

 

Project Team:

Architect, Landscape Architect, & Interiors: Snøhetta

Original Building (1962) Architect: Harrison and Abramovitz

Architect of Record: PAGE, now Stantec

Acoustical / Audiovisual, Theater, Lighting Consultant, Structural Engineer, MEP: Arup

Civil Engineer: Engineering Ventures

Contractor: Consigli Construction Company

Cost Consultant: Venue

Signage & Wayfinding: Entro

Facade & Waterproofing: SGH

 

 

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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