The Norwegian Medicines Agency

As part of a complete rehabilitation process, Snøhetta and Tegn-3 have completed an interior layout and furnishing plan for The Norwegian Medicines Agency (NOMA).

In 2016, The Norwegian Medicines Agency (NOMA) moved into their new office space at Helsfyr in Oslo, Norway. As part of a complete rehabilitation of the building, Snøhetta and Tegn-3 completed an interior layout and furnishing plan for NOMA. Further, Snøhetta created two new staircases connecting the interior zones of the new office space. 

A main staircase and a secondary staircase are both developed based on integrated conceptual elements giving the staircases a unique identity. A DNA-spiral is the starting point and inspiration for the design. Through their designs, the two staircases make for good vertical communication between the different floors of the office space, creating a feeling of community helping build a strong company culture. 

The main staircase stretched from the third to the fifth floor. It consists of two distinct half circles, where the upper circle is smaller than the lower one. This creates good visual contact between the floors and facilitates spontaneous encounters across the organization.

The railings of the main staircase are made from 8 millimeters water cut steel, which is rolled and welded together, before being sanded and lacquered. The pattern of the railings is based on a blend of pentagonal and hexagonal elements found in DNA’s molecular structure. This is further developed into a graphic expression where the nonrepetitive pattern gradually dissolves towards the upper part of the railing.

The secondary staircase takes the users from the third to the fourth floor through a slim straight run staircase. A social zone on the third floor connects the staircase to a small amphitheater, easing movement between the floors. The railings of the secondary staircase are made from vertically reaching squared balusters, which are tilted towards the ceiling to create a visual openness towards the fourth floor.

In terms of materiality and choice of color, both staircases with belonging railings are made from white stained steel with carpets on the stairs, reflecting on the interior of the office space. 

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Julie Skogheim

Snohetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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