Vestre Anniversary Exhibition and Book Series

A tribute to Vestre designed by Snøhetta

August 24, 2017 marks the 70th anniversary of Vestre, a Norwegian, family driven furniture manufacturer acknowledged for its colorful, high-quality and long-lasting design. The anniversary celebrates three generations of expansion and success – from the establishment by Johs. Vestre in 1947 to recent global conquests with the Vestre family still at the helm.

Snøhetta gives life to this exciting family saga through the design of both an exhibition at the Norwegian Center for Design and Architecture (DOGA) in Oslo, and the publication of a two-volume book set, both entitled “Folk+Form”. Through exhibited work, art pieces, film, text and photography, the installation and books pay tribute to the art of design and manufacturing and to Vestre’s incessant commitment and ambition to make quality and sustainability accessible on a global scale.

Having been involved in both the design of Vestre’s production facility of Torsby (2013) and the refurbishment of the company’s headquarters and showroom (2017), Snøhetta applies and synthesizes previous concepts and work into both exhibition and books. They melt together to form a visual, physical and intellectual experience where historic and contemporary elements tell the 70-year long story of Vestre.

The Vestre book set

The Vestre book set consists of a comprehensive and exclusive two-volume manifesto, one purely textual and the other pictorial, both contained in a perforated, bright yellow slipcase.

The books are decorated by the title and an enveloping pattern foil stamped on colored paper in bright colors, echoing the design and shape of the emblematic steel plates adorning Vestre’s production facility in Torsby and the interior of the company’s headquarters and showroom in Oslo. The original plates are a bi-product of the laser-cut steel plates from production and emphasis Vestre’s sustainable approach to design and manufacturing. As the books are placed in the slip case, the perforation reveals geometrical and colorful portions of the coloristic book covers.

The books form a rich mix of images and text, tracing the history of Vestre – from the startup year and up until today. Whereas the text-driven book, “Folk”, follows a linear and chronologic storytelling logic, staring in 1947 and working its way forward, the book “Form” takes an opposite approach, starting in 2017 and tracing events back in time exclusively through images. 

The Vestre exhibition at DOGA

The exhibition at DOGA, runs from 24 August to 3 September and features selected pieces of Vestre furniture as well as an installation comprising a total of 12 perforated and colorful plates, each representing different aspects of the Vestre brand, philosophy and identity.

Just as the book, the perforated plates are inspired by the cladding and decoration present at Vestre’s production facility and their headquarters. The design shows pieces of Vestre furniture and people in full scale. Together, the plates form a unity, echoing Vestre’s philosophy of creating furniture for people in movement in the public space. Separately, the plates capture a frozen moment in time in the public space: a Vestre bench or simply people conversing or playing.

 

About Vestre

Vestre is a leading manufacturer of furniture for towns, parks and outdoor public spaces. From the high-end districts of Aker Brygge in Oslo, to the redesign of Times Square in New York: throughout the years, Vestre’s furniture has managed to penetrate markets in both Northern Europe and Northern America, ensuring the brand a global presence and an internationally renowned status.

vestre.com

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Photo credits exhibition photos

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

Disclaimer: All materials provided by Snøhetta are intended exclusively for editorial use to communicate the specified project(s). The use of this material for commercial or third-party purposes is strictly prohibited. No material may be edited or altered from its original state in any manner. Credit must be given for all content used, acknowledging Snøhetta and/or the photographer or creator as the source. By using Snøhetta's press material, you agree to these terms and conditions.

 

Contact

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

press@snohetta.com

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