Vestre Headquarters and Showroom, Oslo

Snøhetta has designed Vestre’s new headquarters and showroom in Drammensveien 44 in Oslo.

Snøhetta has designed Vestre’s new headquarters and showroom in Drammensveien 44 in Oslo. Matching Snøhetta and Vestre’s ambitions of creating low impact design, the project balances finely between preservation and innovation.

The headquarters are situated in a 1930’s functionalistic brick building, designed by architects Thorvald and Henning Astrup, which once housed the Norwegian doctor’s association, Det norske medicinske Selskab.

Acknowledged for its high-quality, long-lasting furniture in a wide-range of colors, Vestre is a family driven company developing and manufacturing original designs for urban environments. Snøhetta’s mission was to create a space that would truly reflect Vestre’s brand and the company’s attention to values such as functionality, quality and longevity.

Flexible solutions

Even though the new headquarters accommodate just under ten people, the office space is designed to welcome larger groups during social events, meetings and workshops. The space is built around the concept of a common meeting space, the kitchen, which is at the center of the office. Here, a large standing table with accompanying bar stools, inspired by the geometrical wood and metal of Vestre’s own furniture, functions both as reception, lunch table and a place of discussion.

Surrounding the kitchen table, you will find two showrooms, two large offices, a meeting room and a simple workshop. Adjustable walls and lighting solutions helps enlarge the spaces during workshops and events. The same applies for the workshop, which can be incorporated into the kitchen area when more space is required.

Staying true to Vestre's philosophy

The main entrance stands out thanks to the brightly colored signage bearing the recognizable, yellow Vestre logo color. The entrance is acessible from a planted garden with selected pieces of Vestre furniture.

From the main entry, you are ushered up a narrow staircase adding a narrative touch to the office space. The walls are bright yellow, accentuated by large windows. From the roof hangs metal human-shaped and human-sized figurines in motion-like postures, casting shadows imitating human motion. These shapes represent Vestre’s philosophy of creating furniture for people in movement in the public space.

A wide-range of historic furniture pieces from Vestre's collection are presented on each facing vertical wall, contributing to a continuous storytelling as you move up the stairs.

Storytelling through color

Color plays and important narrative role in the office space. All furniture placed close to the building’s entries match the 1930’s color palette of the building. Indoor, the colors are more vivid, reflecting a modern office space which is in line with Vestre’s spirit.

The office space's transition from brightness to a quieter atmosphere reflects the usage patterns of the different rooms. Rooms which are the most widely used are also the most subdued. Rooms in which guests, visitors and employees use only for short amounts of time, such as the staircase area, are painted in bright colors.

The most subdued area of the office space is the kitchen, which is painted in green. The large windows ensure that all the rooms keep a light atmosphere even though painted in more subtle colors.

A sustainanble approach

As in all Snøhetta’s projects for Vestre, sustainability is an important part of the design and creation process. Vestre’s mission of creating long lasting furniture is reflected by material and esthetic choices – from the metallic bathroom floor tiles, which are a bi-product of lazer-cut steel plates from production, to the lamps hanging over the large kitchen table inspired by the steel frames of one of Vestre’s outdoor tables. 

Matching Snøhetta and Vestre’s ambitions of creating a low impact design, the project balances finely between preservation and innovation.

Image Credits

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Julie Skogheim

Snohetta

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About Snøhetta

For almost 40 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. 

Since its inception, the practice has maintained its original transdisciplinary approach, and often integrates a combination of architecture, landscape architecture, interior architecture, product design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice.

Today, Snøhetta has a global presence, with studios in seven locations spanning from Oslo to Paris, Innsbruck, New York, Hong Kong, Shenzhen, and Melbourne.

Snøhetta is currently working on a wide range of international projects, including the Shanghai Grand Opera House, the Theodore Roosevelt Presidential Library in Dakota, Harbourside redevelopment in Sydney and La Croisette in Cannes, to name a few. 

Recently completed works include Vertikal Nydalen in Oslo, Beijing City Library, the renovation of Musée national de la Marine in Paris, Orionis - the planetarium and observatory of Douai, Airside in Hong Kong, Esbjerg Maritime Center in Denmark, 550 Madison Garden and Revitalization in New York, as well as Volum lamps for Lodes.

Some of Snøhetta's previous projects include Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, including the wayfinding and signage, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and design for Norway’s new banknotes.

Snøhetta’s working method simultaneously explores traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.

Among many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum. In 2021 and 2022, Snøhetta’s Forite tiles won the Sustainable Design of the Year by Dezeen and Best Domestic Design by Wallpaper* in 2022, and the wayfinding system for Le Monde Group Headquarters was acknowledged with Monocle Design Awards. In 2023, Snøhetta won a number of awards for the Esbjerg Maritime Center and was named Architects of the Year at the Monocle Design Awards, in 2024 included a number of awards to Beijing Library and the BIA 2024 Award to Snøhetta and in 2025, Snøhetta was recognized with the OPAL Special Award for Sustainability, among others. 

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Contact

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press@snohetta.com

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